DUST-COVERED
She holds her cheek
in her left hand
glasses covering her eyes
She might be writing a poem
I think so
Her wrist watch
time facing the camera
right at 7 o’clock
in the photo
forearm straight
to show what time it is
I don’t see it that way
Jim Bodeen
31 January 2021
ICE FLIGHT #93, 29 DECEMBER, 2020
for Danielle, Mick, Mike, Pat
Flight’s back on, Email says,
a chance to say once more,
Thanks for counting, reporting
asylum seekers, for waving
until I found you. Last one
this year. Last one, ever?
They piled some snow up here
in front of us. The legal pad
records 15 deportees
from two buses arriving
from Tacoma. Personal
belongings in plastic bags.
Shackles laid out on tarmac
with handcuffs. Behind the fence
with us, a photographer
from the paper, stabilizes
his camera with a mono-pod.
Jim
31 December 2020
AFTER CHOOSING JOHN RUTHERFORD’S
TRANSLATION OF QUIXOTE FOR YOU,
AND BEFORE IT ARRIVES, A WORD,
--Medicine for Earl
EARL: Don Quixote rests dangerously
at one’s bedside. One can argue
critics have read him wrong for 400 years.
I’m signing on with the subversives.
Caballero andante, you’ve walked
enough misunderstood trails, know
friends feeling the need to caution
all that comes up in dreams. Rutherford
says, make it modern, keep it old;
make it English, keep it Spanish.
Dangerous without being read.
Errantry isn’t for those gone astray,
but for those of us, who’ve left home.
Anything less than everything leaves
only bird cages and toothpicks.i
Love, Jim
19 January 2021
1Don Quixote, John Rutherford translator,
Part II, Chapter VI, p. 525
GIFTS FROM MY GRANDSON
HAVING TO DO WITH HOPE
Coming down the mountain
in the Mothership, I’m hearing
your question from the ride up,
Do we have enough gas, Grandpa?
You’ve been looking at the gauge.
Eight miles out of Naches
nursing the gas peddle
I know better. Who wants
to pick up a hitchhiker
with Covid racing.
Use your mind to beat the distance,
I say, waiting for Grandma
to come with some diesel.
Thirty minutes later you appear
with a knotty stick from a beaver dam.
You know where it fits in the garden.
Grandpa, this is a reminder, you say.
I don’t tell you then what my friend
said about the writer we loved
who died last week. How he’d go
to the beaver dam when he felt hopeless
about his work. Then go back to work.
Thanks, Josh,
but the story I want
to tell you comes from this morning.
You’re going through old cards,
find the one of Martin Luther King, Jr.
On the back, the boy in the baseball cap
reading his new zip code: we’re 98903.
MLK’s dream awakens a nation.
Flashback ‘63 in green, on front.
The day after King’s Remembrance Day.
Sending Grandma and me this card.
The hope it gives me. That stick
from the beaver dam? That stick.
Knotty. Tough. True, like Josh.
Gpa
19 January 2021
SWEEPING THE MOUNTAIN ON SOLSTICE
for Josh & Kate
Waiting for Ski Patrol at last light
on the shortest day of the year
last ones on the mountain
helping to put the mountain
to rest with ceremony,
your eyes with the Patrol’s mission
to look into trees, and tree wells
for any fallen or lost. Already
dark, wind blowing hard
through alpines making
its own noise. Two cousins
with their own take on a year still
in the middle of a plague.
This day doesn’t tip one way
or the other, tied for dark
and tied for light. The two
of you skiing fast through this,
nobody’s behind you on this run.
The two of you winter weathered.
Bushed. After you get out
of those ski boots
we’ll stop for burgers.
Love, Gpa
30 December 2020
WRITING TO YOU NOW, LETTER TO BARRY LOPEZ
b. January 6, 1945—d. 25 December 2020
I. The boy, I know, will live his life like this, always searching, even though
He doesn’t know what to look for. It will be many years before he understands
That this search for meaning is most everyone’s calling.
Barry Lopez, “Talismans,” Horizon
After solstice, on Christmas, before your birthday—
My wife, Karen, born four days before you
Places us in time on Star River. I don’t get you written
But I’ll meet you on the River—yours, McKenzie,
Mine, Yakama. Archiving leaves too wet to burn.
A letter to one who’s been given other teachers.
Ones like you, deep reporter, songline.
We travel to hear you in Bend, January 23, 2020,
And first heard of the Plague the following morning coming home.
Coming our way. Listening to you, is what
We’ve been doing, They’re coming for you, be ready,
in and out of range in the meantime.
One of the things in my notebook that night,
Don’t colonize your own experience,
I wanted this opened up,
(So I wouldn’t have to do the work?),
Colonizing being one of the hierarchies.
Koan for slow-man in a car.
The poet Kevin Miller told me you were coming—
Get the tickets. Barry’s reading Horizon
And Marty’s daughter gives him a copy,
Shows me your preface at Pearl Harbor.
I’m reading the library copy and the eBook
When Barry—your tocayo—Grimes, poet, friend,
Working on a family piece as deep
As Hemingway’s iceberg, comes by with his Horizon
And we look at the endsheets of blue sky,
Blue mountain hermitage, Himalayas,
Horse and rider. Signing books, (I held six),
Don’t colonize your
own experience,
(Knew I didn’t have enough), I mention
Endsheet beauty. Look, you say,
Opening the book from the back,
Dust cover in place—a woman wrote me
On the back of this post card—I saved it
Not knowing it would be this book—but look,
You said, pointing at your photo on the jacket
Upper right, and the horse and rider, lower left,
How it brings the two together as one.
II. For that alone
you would walk across Australia
Barry Lopez, The Search for Meaning in a Broken World
The Cultural Conservancy, Point Reyes, 7 May 2019
You’re talking about navigators with Melissa Nelson,
Framing two, James Cook and Ranald MacDonald.
Oceans between them. Complex, like a novel.
Liminal, bifurcated. Meztizaje. I’m listening walking
Perimeters in a housing development with headphones,
Ice on sidewalks taking notes and talking out loud.
My wife looks up from her sewing machine
When I come through the door. She quilts.
This morning, we watch on YouTube
In the living room, three days after your crossing
Christmas Day. You say, Make common cause
With young people, help them find language they deserve…
And the shaping, what you can do to help.
You’re listening to Lillian Pitt, standing
with her, at Oregon book awards, when she says,
I am a project of
my people.
Karen says, Stop the video. That’s how I feel about myself.
About my quilts, Karen says.
I didn’t make them. They came through me.
That morning on the day you die, we make masked ceremony
Karen hands her six grand children quilts
As different and varied as their imaginations.
Colors, yes. And threads appearing even as they disappear,
Off path assistance in their shaping.
III. The Burrup Peninsula, many academics maintain, was once the geographic
center
Of the greatest array of rock art ever created. Thousands upon
thousands of depictions of animals, of humans interacting, of spiritual drama
and historical events once existed here. It was a Musée d’Orsay of petroglyphs
and pictographs.
Barry Lopez, “Port Arthur to Botany Bay,” Horizon
A week before your 76th birthday,
Picking up Horizon covered in blues
Of ocean and sky, slowed immediately
By what I must bring to the page.
Before I can catch up I must slow down.
I’m not going slow enough.
Read each word in each sentence.
Stop at the end of the period
And sift through words.
Where has the sentence taken me?
Read the sentence again, slower.
Lopez counting railroad cars carrying iron ore in Australia.
Aborigines alongside the tracks.
Home for 30,000 years.
Asking readers to imagine Jerusalem
Pulverized into dust
In order to build dormitories on the moon.
I am reading Cervantes’s Don Quijote de la Mancha,
Finishing Book One on Winter Solstice
After 90-some days of reading.
Three durable paperback texts before me,
Edición de Florencio Sevilla Arroyo, @2002,
Translations by Edith Grossman and John Rutherford.
In addition, Diccionario Clave alongside online dictionaries
For vocabulary and etymology.
My Spanish a piece of work over sixty years.
When I’m disciplined, at my best,
I can read ten pages per day.
How I read Horizon.
This is my approach, Barry Lopez.
Reading slower. Fully present.
Lopez standing back, before mankind.
These were the first creatures to shimmer with intentionality.
*
[ ONE STAND-ALONE: …and plain meals—a female geologist, whose
Patience I had apparently tried, took me aside to inform me that I was
Inexcusably confused about the difference between a stone and a rock.
The terms are not interchangeable, she said. A stone was a rock that
had been put to some utilitarian or cultural use by a human being. Thus
a headstone, a paving stone, a cornerstone, and Stonehenge. A rock
was something that had not been handled by a human being…In the
years following, I myself was able to annoy a number of people by
requesting that the distinction be observed.
Barry Lopez, Graves Nunataks to Port Famine Road, Horizon.]
*
IV. Without room for mystery and uncertainty, the Aboriginal man felt,
there cannot be any truly intelligent conversation.
Barry Lopez, “Port Arthur to Botany Bay,” Horizon.
Last week this letter would have been different.
Winter solstice and the Navajo. Blessingway
And the return to Beauty. Hozho.
The one who is sung over.
Deteriorization is natural and happens to us all.
Sing the individual beautiful once more. Hozho.
Because we have just returned from the Southwest
In the Mothership, camping, reading poems with local poets,
My wife quilting with quilters, stopping in pueblos,
A woman reads to me Lyla June
Johnston’s poem, Hozhó.
Show me something not beautiful, her grandmother says,
And I will show you the veil over your eyes.
It comes to you again walking Alexander Lowland
On Skraeling Island. Longing for conversation
With the disappeared. That kind of search.
I meet you on return, Barry Lopez,
You on Skraeling Island remembering Frank Mitchell.
You send me to faraway libraries, interlibrary loans.
The Autobiography of Frank Mitchell,
A lifetime of how many people remembering.
This medicine arrives in my mailbox.
V. On those nights I might try to force the ramulose arrangement of these convoluted branches and twigs into the as-yet-unsettled pattern of human evolution. The trunk of the tree represents the kingdom Animalia. Where major limbs branch off into various phyla, I follow the one that represents chordates, the animals with backbones, and from these the branch representing the class Mammalia, the mammals. Barry Lopez, “Jackal Camp,” Horizon, p 293.
The morning after your conversation, returning home,
I’m driving, and hit the dog crossing the highway.
A direct hit. I know what just took place.
Turning North at Madras on 97
After breakfast with Kevin and Cammie,
The semi up the hill, four lanes,
Passing the truck, the small dog escaping big wheels,
Finding our sedan. I feel what I can’t see.
The small dog’s body under my foot.
Has the caretaker done the forgiveness work for us both?
V. PARFLECHE
There are wild animals in the world that are not free…the gorillas…
Barry Lopez, The Search for Meaning in a Broken World
Point Reyes, 7 May 2019
Everything
is held together by stories. That is all that is holding us together,
Stories and compassion.
Barry Lopez, Bend, Oregon, 23 January 2019
Kevin calls his poems, Vanish.
They’re coming for you, Ranald MacDonald says,
You have to learn English. You must be ready
Because they’re coming. You sign a book
For Vance Thompson’s Image on cover of Vanish.
A Photographer on our hikes, his campfire talks
Begin with your caution to do least harm,
And from there, someone will mention photographs
Flying from your motorcycle and your vow
To do that one whatever thing, with devotion.
Marty makes shields of balsam wood and tissue paper.
From my notebook last January, Kevin on my left,
You are finer than silent defiance advancing,[i]
Hair long, grandfather of our time.
Blue jeans, blue vest, sweater.
Magnificent brown boots—also a child,
Looking at the Chris Craft off shore,
My God! That’s the man who wrote the Red Pony!
One caution for the listeners thrown in:
Don’t colonize your own past.
A child again:
He was elegant. He dated my Mom. I wanted him to be my Dad.
How all the hierarchies threaten, and the slow absorption.
Everyone’s been driven to their knees,
You know, if you’ve been paying attention.
When you bring up Frank Mitchell, it’s the third time.
Hozhó, Horizon, Lyla June Johnston’s poem, Blessingway, tonight.
I sit up in the chair, nudge
Kevin, Here it comes…
The deeper meaning of beauty,
At the point of disintegration, constant,
To re-enter, and live in beauty,
To be in beauty and remain.
You want to be the reader’s companion, not his authority,
Touch on writing while talking of love—someone
Has loved the ones who write well,
There are things one can’t teach—
I can’t teach you discipline.
I can’t teach you hunger.
Asking us—without really asking—to think about
Emotions in an intelligent way.
A few things about my read of Horizon.
Blessingway, restoration. I’m on my way
To visit Frank Mitchell’s grave in the cemetery in Chinle.
You’re one of the navigators, Barry Lopez.
I had Cook, but didn’t have Ranald MacDonald.
Let me off the boat
near Japan.
I need to tell
them, They’re coming for you.
No application for this work that I know.
Long apprenticeship.
It’s hard to write about yourself, as you say.
A word about ramulose, having many small branches,
Ramular. I missed it a year ago.
and missed the Latin once I got there.
Ramulose—having many small branches,
I’ve looked it up before, one of your words, from two different places.
And I needed it then, surround myself in branches.
Tantas ramas. So many.
And there it is in the text: Counterpoint
To Cook: …whom I
think more about today,
The poorly
recollected and uncelebrated
Ranald MacDonald, a
man born into two cultures,
In neither one of
which did he ever feel truly comfortable.
Barry picks up the encounter
with the man on the bridge.
And the beaver sticks.
Where one goes when one is stuck.
Where it’s worse than that.
Beaver sticks in the Medicine Bag.
A horizon too wide to see without community.
We’re on that return run, all of us.
Star River Preservation, and already
The people are setting out preserving
Archival memories of trees and recorded DNA.
Drafts of all your loosening breaths.
Jim Bodeen
From the Notebooks, January, 2019—31 December, 2020
FOR ANNE IN SACRAMENTO, NEW YEAR’S EVE, 2020
After-images dissolving in snow-melt
assisted by salt guaranteed to break up
drive-way concrete, this year,
but for joined hands
of your mother and father
together after 62 years, restored
by your eyes arrive yesterday,
saying, Send my card to California.
I send you Karen’s quilts wrapping
six grandchildren, Covid’s gift
of time to quarantined art.
Egyptian cotton threads
bind fabric in polarized winter.
A daughter shapes all that will be told.
New Year Blessings,
Jim & Karen
New year’s Eve.
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