The Mystery of Post Cards


LINES TO WARREN EXPLORING 
THE MYSTERY OF POST CARDS

What gets said must come fast.
Sitting in butterscotch chair
I choose a picture from Karen's world
and she makes the post card.
My task is to find the right stamp
fit words in empty space.

Love, Jim
29 December 2019

...hmmm, she says, ...it's weird


TALKING TO KAREN

We have each other's phone
It's like calling myself
to talk to her

Jim Bodeen
28 December 2019

BEST DAY EVER SONG


BEST DAY EVER SONG

White Pass chant-song
sing the weather song  
words singin white board
slingin now the snow way

Sing, sing, sing, sing
sing, sing, sing, sing
sing sing chant sing
sing chant song  sing--SING

Best day ever
Best day ever
Chant song, chase it
catch it if you can song

cause it's the uh-huh
it's the uh-uh, huh huh
it's the best chant ever
it's the uh-huh uh-uh

white board black word
marking pen, uh-huh
by the chair lift yup
by the chair lift yup

singin with the lifties
singin, chantin
booking on our
chant-song, uh-huh

uh-huh, working on our ski song
best day sing song
best day sing song
best day ever song

uh-huh, uh-huh
uh-huh, uh-huh
best day ever song
best day ever

better so much better
it's better than the weather
it's the best day, best day,
best day ever

Grandpa Jim
Christmas Eve, 2019


MATTER-OF-FACTLY AT THE STOP LIGHT



















SOME DAYS,

today for instance,
I drive
around my town
           
            stopping at lights

                                    hoping
                                    some
                                    one
will see (and read)
                                    the sticker
                                    on my rear
                                    window
           
            saying,

                                    CLOSE THE CAMPS

and when I drive away

            as the light
                                    turns
           
                                    GREEN

the camps,

                                    will
                                    be
                                    CLOSED

jim bodeen
Christmas Eve, 2019





















High Camp, 18 December 2019






HIGH CAMP, JUST BEFORE NOON
WEDNESDAY, 18 DECEMBER 2019

            for Kevin Miller

For lunch I've packed an English,
aged, white cheddar, and two Italian antipastos,
a peppered salami, and for the first time
in my 74 years, prosciutto. Antipasto,
What is it? I asked Karen leaving home.
It's the food before the pasta, she says.
I might have asked earlier. In addition,
I have two Satsuma oranges, one of which
I've already eaten, one for later. Oranges
are packed in a small plastic container,
thin, rectangular, conforming to my pack,
containing saltines and three wrapped-
in-foil, Chocolates from the World.
Instant espresso in a baggie. I'm drinking
it now from a mug I carried here last winter,
Medagglio de Oro from Mexico,
on any grocery shelves. There's an apple
from Johnson's Orchards named Envy,
so-called because of it crispness
snapping sweet between your teeth
releasing a high sugar content.
A glass of water in a Pepsi cup
from the cooler downstairs
on the first floor. I'm sitting at a window
table, 8-foot long, varnished pine,
that can seat 10 people in ski gear.
I'm by myself. The mountain is out--
Mt. Rainier, but it's partially obscured
by a stand of high altitude alpine fir.
Nevertheless, it's quite stunning.
The cheese, the cheese is spectacular.
As I've said, in the title, this is High Camp
in the Cascade Mountains, Washington State,
and the table is one of 24 tables upstairs,
like a loft, yes. Most of the small crowd
of skiers are young, seated downstairs
with friends, drinking beer from the kitchen.
College kids, mid-week, December 18,
on break from classes. High Camp
sits at 6,000 feet elevation, and the area
carved from the Goat Rocks Wilderness Area
through an agreement between Congress
and the Forest Service. I should say,
I'm not entirely alone upstairs--
a father-son combination share a table
directly in front of me. They are not dressed
in high-tech gear, dressed out for others,
and I like that. The father acknowledges me
when I look up, saying, You look
like you're working too hard.
They're from Centralia. The son studies
geology at the university. I read the last
few lines of my notes to them.
The young man smiles, I'm outside,
when I ask him about his ball-peen hammer.

The two of them stretch out on the pine benches,
leaning against the window, backs to the Mountain,
father wearing lime green ski boots reaching
two-thirds of the way down the bench.
The son wears snow-board boots. I began
this notebook on the 30th of October
of this year, 80 days from today,
December 18, 2019. I have been devoting
most of my time writing in smaller notebooks,
less noticeable, but today, for High Camp,
I've brought the larger one. I call the smaller ones,
Bread and Water, and tonight, when I return
home, I will finish Notebook #5. Bread and Water
notebooks explore food, spirituality, Eucharist.
I carry notebooks in my pack wrapped in plastic.
Today I have brought two volumes of poetry,
both carrying specific dates: Walt Whitman's
Leaves of Grass, 1855, and Leaves of Grass,1860.
Before leaving for the mountain this morning
I spent some time re-connecting with the 1860
edition. It has been two years since Barry and I
drove to Coeur d'Alene to read the 1855
edition at Wes Hanson's, spending two days
reading and discussing Whitman. Father and son
pack up to go back out. The father asks me
if I snow-shoed or skied to High Camp.
He couldn't see my boots. They will
remember this day together. Skiing with the other.

I unwrap a truffle in purple foil. It calls itself,
Spiced Merlot, Brockmann's Trufine Dark Chocolate.
I have the rest of the afternoon to open Whitman,
to see what might be left in me to receive
his great heart. I fall like a child into the words
of Harold Bloom celebrating the greatest
of our poets: This movement of the Real Me,
or Me Myself, is Whitman's also, Bloom says,
Whitman's evocation of Emerson that great,
'a getting out' into the wilderness,
away from all bondage--this, Whitman calls
a rejection of the unfit, '…the attitude of great poets
is to cheer up slaves and horrify despots.'
I lose myself reading Harold Bloom's Introduction.
Lose myself reading Whitman.
O what is it in me that makes me tremble so at voices?
When I close the book, body cooling, I need
to layer up in this winter office, warmed
by Whitman's, How beautiful is candor…
no one has ever hated the truth.
Proto leaf. Fresh free savage--solitary,
singing in the west…I have stood up for the crazy.

We convince by our presence. But what?
But who? Did I intend to ski?
What would be sacrificed for this page?
I allow my boots to radicalize my feet,
struck again by mountain time. I have not
rushed myself, giving myself to the great poem,
the news I needed most, carried into weather,
on skis. An hour lifting and being lifted,
rising and falling, weightless on shifting edges.
Back at High Camp, out of wind and news,
a young woman in the kitchen greets me
an old man, as I pour hot water in a mug,
she's dancing, smiling, I kick a heel back,
salsa-like hearing Panamanian cumbia
in my head, I'm going to dance with you
at the Prom, she says. Where's Jim Harrison,
I ask myself, blushing. High Camp
is located about two miles from main lodge
at Highway 12. Skiers ride two lifts skiing
between each one to get here. It takes
just under an hour. After an hour on skis,
new ones from my son, a bit shorter,
172 cm from what I've ridden, settle me down.
When you haven't read Whitman in a while
it doesn't matter where you've been.
The elder Zosima in Brothers Karamazov
last week tells me to love everything.
Myshkin, in The Idiot gives me someone
to emulate, holding my hand in elder-innocence.
Whitman takes America by generosity and virtue.

















Leaving High Camp after lunch I ski
through trees tracking back around the mountain,
Rainier fully out, and some sun. Balanced
over skis, letting them run, remembering Rexroth
in the Sierras at sunset, snow for this day, holding,
dropping now through Waterfall
where Dheezus screamed at me--she was 8,
and missed the last mogul, cliff coming at her
before the trail where she could run it out.
Three, four runs with memories, Tyler's Run
renamed by me the day he died
after delivering his daughter, Cascades
of emotions falling from me, much of the time
thinking of Kevin's poems starting up
the mountain this morning still with me,
this day, this day, our minds one
with the other this day, mirroring
images in different settings. Should
I send him a photo from this table
with his name on the page, these
exact lines confirming solidarity,
there's a word Whitman didn't need.
Enough to say I am one of the many,
one of the roughs, barbaric. What
a blessing to find Bloom saying
he loves the 1860 edition. Brenda
has the vacuum going upstairs
in the loft, where I ate lunch earlier.
Will she connect cracker crumbs on floor
to my practice in the notebook?
High Camp closes at 3 to get people
off the mountain, so Ski Patrol can sweep
the area looking for lost and injured.
Dylan's singing now. It will be dark
when I click off my skis, I'll close it too,
I say to myself, it's solstice week.
Lift operators permit me to access
the last lift. Rising, a young boy,
my grandkids' age under the chair
between cliff and cliff, crawling
backwards, descending waist-deep
between cliff and cliff under the chair,
still unafraid. Noting his location
I enter Patrol office at summit,
tell Patrolmen where he's at.
German Shepherd wearing Patrol Cross
apron, knows it's quitting time, too.
They'll get him. I watch them empty
from the office, Patrol dog joyous.
He'll run down, not ride the sled.
It's this quiet being last one on skis.
24 degrees. Temperature dropping,
weather coming in. So quiet.
The mountain, too, falls asleep.

Jim Bodeen
18 December 2019


BEAUTY ON THE BARBED WIRE






ICE Deportation Flight: The Children’s Reading 10 minute video

Yakima Immigration Response Network members (YIRN) read and study their ABC’s as they witness the weekly deportation of Asylum Seekers from Yakima, Washington, 17 December 2019. Thirty-seven Asylum Seekers were deported this morning.





BEAUTY ON THE BARBED WIRE

ICED flight on the wire,
Chain-linked sun behind us
Almost turning hoar-frost

To tears. Almost. Not quite.
La verdad en amor otra vez.
Este verso desde Efesios

Nunca va a salirme. Tan
Rico soy. ICE Flight.
La vida con doble sentidos.

Cold, fog, hoarfrost.
Escarcha. Las cadenzas
Esta mañana apareció

Cubierta en escarcha.
Alambre de espino.
Alambre. Espinos.

So many barbs. Wired
Beyond belief. Casi
20 testigos esta mañana

So many people in wonder.
¿Sabes, maravillas, prodigios?
To be in wonder!

Among wondrous ones waving!
Inside the painted yellow rectangle,
A world opening. A children’s book

On justice, reading aloud
For asylum seekers
Rejected by our country.

Jim Bodeen
19 December 2019


















Storypath/Cuentocamino: : SUITE FOR RUDOLF BULTMANN

Storypath/Cuentocamino: : SUITE FOR RUDOLF BULTMANN: Dedicated to Father Stanley Marrow, S.J. Who took me into my own tradition. for Karen and Barry SUITE FOR RUDOLF BULTMANN...

TO RUDOLF BULTMANN FROM A SLANDEROUS MAN





LETTER TO RUDOLF BULTMANN
FROM A SLANDEROUS MAN,
ONE WHOSE THREAD OF HOPE
ARRIVES FROM THE ALL-OUT
CONFRONTATION WITH
EVERYTHING TO GET PEOPLE
LIKE ME THROUGH THE DOOR

…SO THAT we gained the reputation
of being a slanderous company.
            Rudolf Bultmann
from a brief account of his relations
with the city and university of Marburg…
            Summer, 1969

So many conflicting, sudden images of Heaven
gathering to walk into this letter with no postmark.
Let them have at. Bultmann, Barth and Paul,
as first suggested by Dr. Barth.
Certainly (Is that appropriate here?)
C. S. Lewis will have what does
one call time here? What is here?
All my images tethered.
There's a man, Stanley Marrow.
River of tears be my introduction.

I wouldn't be talking with you
but for Stanley. And others.
And others, because of Stanley,
auditing became an option.
From a far-back pew, slanderous
might be a credible word
for one like me.
None of us worthy.

Stealing images from your letter
to Barth, 11-15 November 1952.
My cause at stake, one who gambled
for the poem, an American,
of his time, if not modern.
Recoiling in ways best students
always have, troublesome.
Add controversy to my résumé
a core element in NT studies.
Belief, as you say here,
is a gift of the Holy Spirit.

Let the slanderous among us
say, Amen. I have participated
fully in the sin of self-certainty,
perverted, as you call it.
Christ only in Kerygma.
An old pastor sent me
Barth's letter to prisoners
naming those with Jesus
on the cross as the first
congregation. I stay awake
because I can't sleep.
When Stanley confronted
me, things didn't start
going easy, surprised,
though by joy, as Lewis
says, quoting Wordsworth.
Such company. My Dad.
My Mom, my brother's joy.
And my sister. Returning
from war the teacher
called my son, Astyanax,
son of Hector. I loved
the Hebrew Bible before
I knew the proper word
to name it. I was a boy
outback, walking railroad
tracks with Crazy Horse
and Jesus. We were looking
for treasure in native graves.
I felt sanctuary in groves of trees.
I have studied the canon.
This is the canon I pursued.
Permit me in this spirit
a commemorative stamp.
An artist's drawing of a small frog
clinging to a reed in wetlands.
This water! This water!
My letter in the wind.

Jim Bodeen
11 December 2019




AIRPORT MUSIC





















AIRPORT MUSIC

Outside McCormick Air listening
David Hidalgo and Louie Pérez singing
The Long Goodbye, he sent money,
you know, it's a long song home
Los Lobos, tell me, Will the wolf
survive? Waiting for Swift Air
ETA 10:07.  At Rosemary's
Celebration of Life yesterday
I pick up Advent pamphlet
prayers placed in pew rack,
Mary Oliver's poem, standing
here, wherever we are, este
rincón del cielo, we're blessed
and blessing, God is within us,
my dad's middle name, he
could never believe his own name
what never got said, ever,
he wasn't allowed to. North
Dakota didn't permit it,
then or now, he would have
been shamed beyond
embarrassment, he suffered
in his naming, racked again
deportees waving back
into our corner of heaven.

Jim Bodeen
10 December 2019




THE COMMONALITY OF NOUNS



Straw, Bullshit, Paja:
A Bilingual Interpretation
of Matthew 3: 12

Winnow wheat from straw
Burn bullshit in others
Burn it first in me

Jim Bodeen
9 December 2019



HAIKU FOR ROSEMARY



HAIKU FOR ROSEMARY

Cornerstone neighbor
Our Lady from Gonzaga
Cy's backyard anchor

Jim Bodeen
9 December 2019




CORTE ORACIÓN






CORTE ORACIÓN DESDE EL EVANGELIO DE HOY
DESDE LA SANTA BIBLIA
[A SHORT PRAYER FROM TODAY'S GOSPEL]
            San Mateo 3: 1-12

Trigo y paja
Burn the bullshit in others
Burn it first in me

Jim Bodeen
8 December 2019

Post Card to Adam Schiff from Shi Shi Beach


















A POST CARD FOR ADAM SCHIFF
DURING THANKSGIVING BREAK

Dear Rep. Schiff, The Makah Wilderness Trail.
What ceremony else? What could I give?
Trail pure muck, kelp forests in swaying fronds,
leaf-like blades. This card. These are American
poets, NW corner, Shi Shi Beach, from Schia,
meaning surf and smelt. Hard place to get to,
access trail head. Bring bear-proof container.
Summer solstice photo. Storming now.
These poets are tree planters. Michael Daley,
aka Father Straits, sits on log, recites
Daily Life in Trump time. Tim McNulty
wrote the book on Olympic National Park,
changed the law, enlarged park boundaries.
We talk Vietnam, Jesus, dope, read poems.
Another hour on Canadian literature.
One isn't here, but his poem gets read.
Representative Schiff, this is an invitation
that doesn't expire, a Thanksgiving promise.
Water's good at Petroleum Creek. A fact. 
Call day or night, we'll bring you in.

Jim Bodeen
27 November 2019


Water at country's end: Shi Shi

ICED TEA SOLIDARITY CEREMONY AT YAKIMA AIRPORT










WE CAN STILL SEE becomes a spontaneous chant by Yakima
Faith Action Network, an interfaith statewide partnership in Washington State. ICE (Immigration and Customs Enforcement) flights come into the city of Yakima each Tuesday. This video was recorded during Thanksgiving week, Tuesday, 26 November 2019.Immigration Response Network (YIRN) as they witness and count asylum seekers and undocumented persons in the deportation process in Washington State. YIRN received the Justice award from Faith Action Network, an interfaith state-wide public policy program in Washington State.

LINES FOR JANE ON SOLACE,

LEFT ON THE PORCH, Guadalupe-like
Guadalupana. Warm-robed woman
of the margins, syllables surfacing
re-surfacing a Dylan soundtrack
lowland lady with the sad eyes
shouldn't I say something to her?
Solace defined is a rich harvest
of comfort and pleasure in the grieving.
When Terry gave me Consolations
a one-word title of on-word histories
I missed these rich roots tapping
into oft-told stories told slant.

Something about the day, Solace.
Something about the day. Rosemary
passed, comforted by her daughter, Rachel.
Remember my magic trick
at Jane & Terry's, breaking chains
binding my two index fingers?
Cy, her husband, was the magician,
and I'll see him tomorrow.
Clay woman, Sculptured Solace,
Rabbit Girl-God,
permission to weep,
permission to laugh.

Late 13th century Old French, solaz,
pleasure, entertainment, enjoyment,
bang!--assuage sounds downright onomatopoetic
after the sexual thread. Let them reconcile?--
we're learning to talk here, first thought,
best thought--earlier in the day--
do your ears get cold--ha, ha,
I've listened to those jokes all my life.
I got old but the jokes kept coming--

earlier in the day, before the ICE flight
arrived from Phoenix, this being Thanksgiving week
(I'm keeping a new notebook on Gratitude and Food,
62 days in) I prepared a Tea Ceremony
for those counting, waving to, affirming,
lives of asylum seekers and undocumented
arriving and departing Yakima in bus and jet.
Our Japanese friend Mayu's teapot
brewing the same green matcha her parents drink
each morning in Yokohama. It was steaming!
18 degrees in our yellow triangle.
I made a movie. Froze my knuckles,
Sister S--froze my knuckles filming
a painted yellow line. When you carry
the camera, good things happen.
I sliced pumpkin bread to complete
a Eucharistic meal, do rabbits, Solace,
like pumpkin? Do you even know
things like that? How earthly you are
remains a question. Those tea leaves,
though, they reached Japan
via Facebook, and Mayu liked seeing
her tea pot, too. The movie
is six minutes long. Did the tea leaves
reach those women in chains?
Last week we were cautioned not to chant
because it might put the deportees
in danger climbing the stairs. Our leader
told the suits, Those leg chains you put
around their ankles put the people at risk.
Do you mind if I curse? Some chicken shit
at the airport had them pull the big
fuel truck painted with the letter N
in red in front of us so we couldn't see!--
creating a chant, We can still see you,
over and over. I blew Michael's whistle
in his absence. Solace-Goddess!
Are you still there? When you see this movie,
stay to the end. Your story connects
to Plum Village--Jane told me so.
We've read Thich Nhat Hanh together,
Jane and I. Karen has the calendar
in the bathroom--Drink your tea!
The woman drinking tea, back turned
to Swift Air, spent three years at Plum Village.
Earline is her name. She says,
This is the way Thich Nhat Hanh drinks tea.
See for yourself, staid comforter, Sister Solace.
Teach us to burrow and be brave.

Jim Bodeen
Happy Thanksgiving
26 November 2019




LEFSE MAKING'S RED THREADS



RED THREADS OF LEFSE MAKING
          
  for Robert Sanders

This is a photo taken inside of a Lutheran Church
in rural North Dakota at the turn of the last Century.
This is the lutefisk of forgetting.
The people are gathering in the Church basement.
This is the lefse of remembering.
This is a photo of my mother
rolling everything out on the table
covered in flour. She is re-covering
all that can be rolled into cinnamon.
Mom's friend, Emmy, joins her,
they're gathering in Mom's Seattle kitchen.
Vonnie helps them rice potatoes.
Karen and Lena have driven over the pass.
The man with the lefse stick surrounds himself
with children in white aprons.  He sees
when potatoes need to be turned on the griddle.
He threads his way through each child.
These are the bakers in Mom's kitchen.
There have never been so many. 
The man counts until he loses count.
The man, who is one of the threads,
knows the lefse will feed the number
of those that can't be counted.

Jim
14 November 2019

You can't fake it in the kitchen

















IN THIS PICTURE,
            
       for Karen

six people around a kitchen island
each of them wearing white aprons.
In this picture, an older woman,
mother, perhaps a grandmother,
three girls, and two boys. Two
circular boards and one square,
cloth-covered, rolling pins
and a bag of flour. One of the girls
holds a stick of unidentified purpose
from outside observation. One
can see the eyes of five people,
and the one with his back
to the camera looks to his right.
Nobody seems to be talking,
yet each one seems to be listening
and connected to what is taking place.
At the far end of the photo,
in front of the pantry
are three rows of rolled dough,
but what kind? What is going on?
How does one kitchen photo
tell a love story?

Jim Bodeen
14 November 2019

The Picture on this Post Card


            Dear Senator Murray,
The picture on this post card,
a photo of a photo on the kitchen table.
But what does it have to do with you?
That's our mountain out on the stamp.
Thanks for protecting it. And the poem
on the front: You know Pastor Benz,
beloved caretaker of the planet
along with Elise--and yourself,
thanks too for that. That
Close the Camps image,
that's a pic from my car window
laid out on the table with the poem.
Let's say, this morning,
that everything is prayer,
that we're only expressing our gratitude.
Senator Murray and Pastor Benz.
That's an agenda delivering hope.

Jim
21 November 2019
P.S. Karen still has your tennis shoe on the mantel.

Struggle Sparks



















NOTE-TAKING WITH AN I-PHONE

Looking at pictures again,
this one from several years ago.
I'm trying to figure out
why my people
keep pretending Bultmann
never happened, that we
shouldn't proudly proclaim
him as ours. This summer
on retreat, a young Presbyterian
Ph.D, preparing for a life
as a stock broker
before the crash
and studying theology, told
the gathered, Barth,
he's our man.

Jim Bodeen
19 November 2019



ESTOS PRODIGIOS



















ESTOS PRODIGIOS
EVEN THESE

I didn't know how
I couldn't get to
the beloved disciple
el mensaje divino
Ustedes nunca van a creer
si no ven señales
y prodijios, te dijo Jesús
Me parece un prodigio que puedas
dormir en este escándolo
Like the song, So rare
Estraño y admirable

Fresh from yesterday
Cold coffee prodigios
Startle me with light

Jim Bodeen
21 November 2019



from The Bultmann Poems

















from THE BULTMANN POEMS

Forty-five years liberated, counting
days, confined too, to pews mute
and suffering. Not perhaps, suffering
like the pulpit suffers, delivering
as it so often does, sermons
half-baked, half-hearted,
comfort food. For the comfortable?
No, they're not my interest.
Nor are those with greater faith
than mine, those already crucified,
asking only to be taken down
from the Cross. No, not them.
Tongue turned back on myself,
I deserved the portion
I've been given. I stood tested
and not alone in my deliverance
waiting for language Bultmann brought.
I had to get there on my own.
Language Bultmann
brought to the laity for liberation.
Language pulpit and pew
knew, and knows,
understanding their part,
this shaving of gospel truth.

How can one refrain from speaking then,
knowing what terror awaits
in compounding moments
for those withheld from Christ,
those thirsting and hungry,
waiting for the confrontation
allowing all that is false in life to fall.

Jim Bodeen
18 November 2019




For a Friend at 90


FOUNDATIONAL WELL-BEING

            for Chet at 90

            To Time it never seems that he is brave,
            To set himself against the peaks of snow
                        Robert Frost

How it happened we sat that day
at table, and you happened to mention
you were still skiing at 80, I'll call
grace, not luck, for in further listening

there always seemed to belong
to what is brave, and not adventure,
a man I would like to know.
Those long skis for jumping

on your fence can be misleading--
towards achievement, away from character
which roots itself where Time
can't see or understand. We sat.

You said something of trains
and North Dakota. Chet,
you're out there with the stars,
and what you've held, you kept.

Jim
16 November 2019

THEOLOGY OF THE SQUARE INCH


THEOLOGY OF THE SQUARE INCH

Because one steps out
of the Square Inch
it becomes the Square Inch

Sometimes the Square Inch is a circle

Is full of Sunshine and Shadow

Sol y Sombra
The Bullfight Ring
The Ring of Fire

Johnny Cash and Garcia Lorca

It is the Struggle of Life and Death
which is Poetry

Jim Bodeen
6-14 November 2019

The Yellow Rectangle and the Square Inch

















THE YELLOW RECTANGLE

painted stripes on asphalt
at the Airport where ICE
flight witnesses are granted
permission to assemble
by the City of Yakima,
remains substantial,
nobody's crowded
and all gatherers must
watch to stay inside
the yellow line. Stepping

back, this morning
to snap a photo of the 14 gathered
to let asylum seekers
know they're not alone
No Estan Solo
painted black on cloth,
trilling whistle between
nuestra oración de despedida,
our prayer of good bye,
I step back, one foot
on the other side of the painted
yellow stripe, catching
City employee's eye,
and he walks from his observation
point beyond the way. No problem,
I wave, stepping back
inside the line. My companions
turn to watch. Did he? they ask.
Cuidado en la frontera,
hermanos, hermanas. Cuideten.
Todo que pasa aquí es sagrado.
It's all sacred, inside this pregnant
space, every gesture, significant.

Jim Bodeen
5 November 2019




LIFE INSIDE THE SQUARE INCH


RESEARCHING THE SQUARE INCH IN RED PINE

     for Barry

The Chinese call the heart of their heart the Square Inch.
      Footnote to Song 162, Copper Canyon ed. 1982
The fang-ts’ (square inch) is the heart of the mind.
       Footnote of Song 162, Copper Canyon ed. 2000

The song, too, is new.
Ancient heavenly something
becomes
This rare and heavenly creature

The definition for poetry in our time
which is all time, it shrinks and expands
Standing off by itself,
beautiful thing!*
becomes
Alone without a peer
beautiful thing!
A foot inside, a foot outside
of a painted yellow line
La Frontera
The border that doesn't exist

Jim
7 November 2019

*Beautiful thing, from WCW, Paterson, a personal refrain, dating from 1975


JUST OUTSIDE THE CHAIN-LINK FENCE


JUST OUTSIDE CHAIN-LINK FENCE
AT YAKIMA'S MUNICIPAL AIRPORT
WATCHING AND LISTENING AS MICHAEL,
PHOTOGRAPHER OF DETAINEES AT ICE FLIGHTS,
PHOTOGRAPHER WHO PHOTOGRAPHS
EACH ONE, BETWEEN SWIFT AIR JET N531AU
AND TACOMA DETENTION CENTER BUSES,
AS HE INFORMS NEW WITNESS WHAT'S HAPPENING

They've been arrested for the crime
of seeking asylum
in the United States of America

Jim Bodeen
All Souls Day, 2019
Yakima, Washington

SUNDAY MORNING ODETTA THE SAME THREE


SUNDAY MORNING SONG

            Come and go with me to that land
            Come and go with me
            Come and go with me to that land

Oh, Sunday Morning Song
O, Odetta,
It was faint at first
I ask, Who is that singing to me
I am walking to the bathroom
to brush my teeth
I have turned back the clock
and it is still dark
I'm going to ask the captain
Your voice so clear
Your bright voice
You so beautiful

She is so beautiful
O, freedom over me

Perhaps it was Bultmann's Letter to Barth
dated 11-15 November, 1952
that gives me this joy that one
giving me this joy
Maybe, too, maybe
it was Blind Willie Johnson
with that haunting backup singer
Angeline, his wife,
Can't nobody hide from God,
I'm listening to while riding my bicycle
Such possibility, such Jesus
Come and go with me, ride,
Sunday Morning is coming through

Jim Bodeen
3 November 2019

Saturday Morning


*

Yogurt from sale shelf
Peanut Butter M&M's
Squash Pie spooned whipped cream

Jim Bodeen
2 November 2019


PRAYER FOR RUDOLF BULTMANN


PRAYER OF GRATEFULNESS
FOR RUDOLF BULTMANN
IN A DARK AMERICAN TIME
     for Peter Marty
Not apparatus, but illumined condition.
Such necessary brightness, denoting us.
Old scholar, cause and source of my liberation,
exquisite confrontation carrying me
through burned-out deserts of pews,
they said they suffered under your light,
that your brightness dimmed their own.
They wouldn't call it theirs.
In my time they dismissed you all-together.
A footnote to rebuild! Simpler? No.
What could be simpler than, Aha!
Oh no! I'm in for it now! Living now,
how could one ever do it alone?
The Word dresses me out, cadaver-like.

Jim Bodeen
All Souls Day, 2019

FEATHERED LETTERS CROSSING WATER


Post Card to Paul Kingsworth
From Yakima, After reading Savage Gods

Two books, three readers. Salty
ones, older than Yeats
in the schoolroom, underlining
what they, too, consider
savage, they too, restless
in divine mix. One,
the jeweler, at the time
halfway through Horizon,
Lopez—he’s at Pearl Harbor
With his grandson, silent.
Sacred Hoop work. Barry’s
Copy driven by his find,
What he sees in you, writ large.
Barry’s a poet, writing fiction.
The jeweler sculptures the night sky.
Me? I love best your take
On Kavanagh, read through
The night. I’ve just written
To another there, Glenn Jordan,
Who I heard here, Crooked Shore.
Jordan knows borders, crossings,
Your generation, like you,
Beyond time and place.
All best, Jim

Sometime in October, 2019