Day One of Five



















HOW WE GET THERE, WHAT IT IS

Sammie takes the camera at High Camp
and makes a photo shoot.
I like what she sees.
Her vision opens me up.
High Camp is as much a part
of our process as anything else.
The archetypal temple.
Way back, out back,
where consciousness begins.
Where the dreaming takes place.

They’ve moved the microwaves
upstairs where we like to sit.
Even this a good move.
Now they’re eye level
for the kids.

The backpack is BCA,
Back Country Access.
First aid kit, Swiss Army Knife,
extra gloves, masks for each child.
Compass, ski wax, headlamp.
Old Man's Beard, lotion, lunches for High Camp,
Shambhala edition of Rumi.
reading glasses, notebook.
It has sleeves for shovel
and probe, but these,
along with the beacon
have been given to my son.

I could skin up, and climb,
but I was no good on those old skis
in fresh snow in the wild. Limits learned.
Heel release. Heel locked.
What opened for me
is what these children needed
to take care of things in bounds.

Like John Prine sings,
It’s a big old goofy world.
Children negotiating snow
on skis
is part of this direction.

Jim Bodeen
19 February 2016

















PRACTICING IN WEATHER
WEATHER PRACTICE
PRACTICE IN WEATHER

What happens on the mountain
happens on skis with children.
Sammie loses a tooth
eating lunch at High Camp.
How this goes, how it doesn’t.

Johnny meets us on the lift,
surprising us. On his ski
he’s written with a marker,
“Be kind whenever possible
It is always possible.”—
the 14th Dalai Lama
(Big Hitter the Lama, Long)”

You know Aunt Cindy?
You know Aunt Diane?
Johnnie is Aunt Diane’s son.

There’s a time of mountain day
when the ski feels so natural
to the child, that she falls
because she forgot they were skis.
That’s what I’m looking for.
No, there are no lessons.
I’ve never taught them a thing
about skiing. I either say,
You go, or, I go,
without saying a thing.
It took me years to begin
to glimpse this.

Jim Bodeen
16 February 2016




STORMING THAT CLEANSES THE WORLD

Washed off the mountain
Snow couldn’t hold any more water
Icy ping of sleet on cheeks
Skis moving through laid down
troughs of wet cement
Calling out in song
how good it is to be here

How good it is to be
on the way to High Camp
looking for a window table
on Sunday morning
The only restaurant
I’ve ever wanted.
Don’t call for reservations
This is a wilderness crossing

Valentine’s Day with Sammie
on the Mountain, hitting all the connections
Working the camera, finding the zoom
hot chocolate and coffee,
brownies and Mentos—
candy in a rainbow
of flavors—sending it
all down the mountain
on Facebook. All those crosses
in the windows. Chapel
at High Camp, most
don’t think of it as a temple
It’s never been anything but
Don’t go the mountain to ski
High Camp is lunch in the backpack
Backpack itself, back country access

Match Old Man's Beard and hat
So many impulses to turn into the trees,
to ski there, eat snow,
to look at snowflakes in their six-sidedness,
Old Man's Beard
to become the canopy itself

To access this, while dancing
Sammie's day. She waited,
and she gets Valentine's Day
she moves through the kind of storm
that washes out highways
Sammie makes Sun Catchers
from plastic beads, a heat process
for Valentine's Day
One tied to the altar
on the rear-view mirror,
the other goes up with fingers
on the window at at High Camp
Sammie takes the camera
and finds the wet light
Her eye all squint and focus
Her sense of composing, of composure
And her joy, even at being washed out
in her soaking and early out

Jim Bodeen
13-15 February 2016




















DAY THREE OF FIVE

Grandson reading Star Wars in car.
Where it all began again.
Where it begins, being children with children,
taken up in snow.

Mountain music.
Music of the car.
Music of the child.
Music of the wind.

The snow’s music.
Grandpa’s big ears.
North Dakota’s music.
Indigenous drums.

The politics of the child.
The politics of the song.
The politics of the witness.
The politics of the breath.

The camera’s great reach and focus.
The wonder of the listening mountain.
The grand daughter’s place in the great listening.
The parrot in Robert Sund’s poem—

This being the father who cannot reach
for his children. This being.
All this giving it another go.
This being Sunday, the Sabbath.

This being the way it is.
This being the way it is imagined.
This being the ski as it sets and releases.
Canopy of tree and sky on a tiny planet.

Jim Bodeen
Valentine’s Day, 2016


VALENTINE COLLAGE AT HIGH CAMP

Orange peel and tiny carrots in baggies
and York heart-shaped chocolates
surrounded by cover-worn copy
of Rumi from Shambhala. OK,
And the wrapped IPhone
on the pine table, all well and good.
Two pieces of Dove dark chocolates
wrapped in red aluminum foil.
And the unwrapped message
that held the chocolate, inside
and smoothed out, with the message,
Make the first move?

Tainted documentary.

Jim Bodeen
12 February 2016



Day One of Five


All of the weather reports were bad. And the ski report was a cliché and a bad joke: Prepare for liquid sunshine. This path, it’s not about alpine skiing any more than it’s about recreation or mission. It is about listening and saying, Yes. Call and Response. Daily music. It is about one-on-one, and being on the mountain. The task is to be present. What can be seen and heard. How many tools at  one’s disposal. Being one of the tools. Being present.The inexhaustible surprise. Available light. Being outside. The dreaming that has been given is available to all. It has not been anything one person is responsible for. It has been something that one has to learn to listen for, and become responsible to. 

With what we knew about the weather, we had to pay close attention to the light. We we looked through the camera, we knew something was in our favor. So much snow had been uncovered by the rain that we had to slow it way down in order to get closer to all this beauty. As you look at the little trees being uncovered, remember that they're still under eight feet of snow. Put the camera close and see what it can find. The lens is much better than your eyes. These are the tops of trees. Not the tree itself. Your eye can see the bonsai, but this tree will never go into a Chinese pot. Remember, too, this is a designated Wilderness area. You're in the Goat Rocks. People fought to preserve this place. You're now inside the Chapel at High Camp Lodge. This place, The Chapel, is open to all, but it doesn't post any signs. There are prohibitions. Some think this place is a tavern. Everyone likes the varnished pine tables and benches. There are microwaves available for those who brown-bag it for lunch. This has been a day of weather and God. Both, like the surroundings of six-sided snowflakes, all different, are part of the absolute other, inexhaustible and different.

Jim Bodeen 
12 February 2016



























Night Moves

THE ALTERED PATH

Its trunk a full two hands
in diameter, 40-year old grape

vine, wine vision of green
dreaming. Foch, near cousin

of Pinot Noir out of France.
The gnarly twisted trunk

came out two years ago
with a spade and a saw,

elder brain seized
by eastern tree art,

placed in a 5-gallon plastic
planter from a nursery

with potting soil and pumice
for drainage. Two

winters, re-establishing
roots. Right before Valentine’s

he goes at it again, gnarly
himself, cutting roots

grown out from the bottom,
freed from the sides

with a knife. New soil
of red rock and pumice,

a clay pot 3-feet tall
chosen for its elegance, vine

set to show its twisted path
and history with the old man.

Jim Bodeen
10-12 February 2016


THE FEVER BROKE

He’s no longer
the medic crawling
through hospital's rice paddy
lost and scared.

Jim Bodeen
3 February 2016


ALL THESE CLARIFICATIONS

Just so I’m clear with you,
I get to keep my word,
God-given, one, and bi-lingual,
only as long as I’m present to it,
myself, God and others. Show up

and tell the truth
best I’m able,

beginning word,
principiante, hy-

phenated,
a following word.

Jim Bodeen
10 February 2016


DRIVING AROUND YAKIMA

Doing chores, running errands,
Robert Sund reading Shi Shi poems
from 1971, recorded by someone at Centrum
in Port Townsend six years later,
Sund like he’s sitting
next to me in what my friend calls
an American voice. That third summer
at Shi Shi, he says, couldn’t get
anything written, people showing up
on the beach, anxious, anxious,
poems born a half century ago
coming out of my old Subaru
in Yakima friend, this seriously rectifies
the situation—keep an eye out
driving these streets,
they’ll pull you over.

Jim Bodeen
10 February 2016


WINTER WEATHER SHELTER HALLWAY BASEMENT BLUES

Choir upstairs singing,
following the drinking gourd—
a concert choir with heavenly voices,
and all this action
coming from below—
Men’s Bible Study shipped from Texas
complete with discussion leaders—
taking attendance, taking cash,
this is some train, coal
trane chugging night vision
before the homeless arrive
in the church basement—
Rumi says,
Look at the chick pea in the pot—
boil, nicely now! and keep moving,
get a move

Jim Bodeen
10 February 2016

DEEP FOREST CAMP

THE WAY IT IS IN SNOW

The boys know
I have their skis.

They want to know
if I have both shovels

for digging the snow cave.

Jim Bodeen
8 February 2016


BELOW HOGBACK

Not always on skis
this journey on snow

Jim Bodeen
6 February 2016


DEEP FOREST CAMP
AT WHITE PASS IN THE MOTHERSHIP

The boys are in their sleeping bags.
Angelica sent hot chocolate,
conchas and bolillos for dunking.
I microwave frozen cheeseburgers
followed by a cup of butterscotch ice cream.

Crawl out of the sleeping bags, and
brush your teeth, get your jammies on,
and crawl back in bed. I’ll start
the movie. It’s called, Never Cry Wolf.

The boys get up and brush their teeth.
Alex comes over and looks at the notebook,
he asks, What are you writing?
I show him, the last sentence.
“The boys get up and brush their teeth.”
He smiles. He’s wearing a head lamp.
He likes the idea of no lights,
conserving energy. The boys
both like the headlamps.
It turns them into miners.

Jim Bodeen
8 February 2016




TWO BOYS


Two ten-year old boys with Grandpa in the Mothership winter camping and skiing.at White Pass in the Cascade Mountains of Washington State. Movies, snow caves, High Camp. Eating snow and skiing. Being boys. Being ten. Bringing everything they have, using it up.

TWO BOYS

That time arrived
without anyone noticing.

The boys were there
and then they weren’t.

They still called,
and their language

arrived, familiar,
comforting, and

distant, too,
out of reach,

as though
I was someone

remembered,
presence as a kind

of memory. My offerings,
too, were different.

They were boys now.
Their questions no longer

surfaced. What was theirs?
What was mine?

What is a grandpa
after things change?

When the boy is all?

Jim Bodeen
8 February 2016

The Fever Breaks: Robert Sund in the Goat Rocks with Jim Bodeen

It is hard to leave the Hot Spot. An afternoon on skis in Paradise Basin, Goat Rocks, Cascade Mountains, with a camera and the poems of Robert Sund reading from 1977. Snow crystals, hoarfrost, drumming Sund and evocations of Pablo Neruda.

HERE, IN THIS HIGH LIGHT







HERE, IN THIS HIGH LIGHT

I knew what the trees were like on Sunday, but there were kids with me, who wanted to float and shred. The light wasn't right. It didn't look possible to return, but then things turned. One of the turns had to do with light. And then the fever broke. I held firm to my schedule down below. And then my orders arrived.

Afternoon side light. Low. Sunshine. Cold, too. I tried to get as close as I could, but I had to stay on skis. Three feet of fresh snow would have taken me deep. Waist deep. I used every memory chip in my backpack. There was so much sun I couldn't see what I was doing, what the composition was like. All guess work. A blind shoot. Weather held and it remained cold.

Once in a while I'd glimpse a frozen drop. Is there such a thing? Frozen drop? I don't think so. About 90 minutes. Just out of bounds. A duck under the ropes. Three locations. Three stops, I mean. No time to think. The light changing too fast.

Then the skis had a turn. They were faster than I was ready for. I wasn't given a choice.

When the lifts closed, just before four, light changing by the minute, a former student, from the alternative school in the mid 1970s, father, grandfather, pilgrim, steps towards me, and we ride the lift together and ski out.

These images, selected too fast, gives an idea, I hope, of what it was.

Jim Bodeen
4 February 2016






Weather Reports Promise Snow

WEATHER REPORTS PROMISE SNOW

A day of ceremony, a day of time and place.
Parked outside the elementary school
waiting for a grand daughter. Tomorrow we ski
and there’s fresh snow at White Pass
with more coming. Just back from the immigration
celebration and swearing in, quite a statement,
Do I say that? as the words come out,
catching up, a bit late, tumbling into the room.
Our friend Luz, and her son, citizens.
Not a dry eye, river crossings run the cheek banks.
Room full of friends spilling into the hall,
better to see in, here. Before that, coffee
with a friend who turns 71. You might say
we’re getting older. The poet Jim Harrison,
who we gift each other, asks, Am I as old
as I am? All this wonder, sitting here,
in the car, late January, windows down,
sun coming through the windshield,
burgeoning change coming up from below,
I turn the visor down, recall Fox News
on the Flat Screen inside Immigration
building itself, talking about Republican
Debate this outfit hosted last night.
Guaranteed no path to citizenship
their calling card. Let’s say
someone picks up this notebook
50 years from now, some great, great, great, great cousin,
let’s say there’s still snow,
and people still ski, you won’t know
then, anything about Fox News
and their ilk. If you pursue the mystery,
it will just get darker. Now and here,
sun comes through a streaked windshield,
23 citizens from 13 countries
raise their right hands and say those
startling words, and just like that,
they belong. They’re Americans,
in this one breath.
Before I opened this notebook, I opened
my telephone and read a poem
a friend sent as I was driving to this school.
He wrote this line, And mine is not
a mind that needs full sun. His name is Wes.
As I was writing this line in the notebook,
a woman comes up to the passenger window
where I’m parked waiting for the school bell
and asks me, saying, Excuse me, Sir,
How do you like your Subaru Outback?
I look at her, wondering if she could see
what I am doing. She’s leaning against
the door, head inside my window, and she
wants to know about my car. I look at her,
smile, turn the ignition key, and read
the mileage, 151,813 miles, saying, too,
I think all God’s children should have Subaru’s.
She goes right back into it. She can’t wait
to get hers, and she wants me to talk about mine.
I could have changed the subject, asked her,
if by chance she saw the debate,
or the pen in my left hand on the notebook.
She wants to talk Outback, determined,
that Subaru vision fixed. It’s a lucky man
the man who knows the bell
is about to ring, but it’s luck tinged, too,
with a kind of sadness, even with the weather
and all turning to one’s favor
with the promise of snow.

Jim Bodeen
31 January 2016

DHEEZUS

CRAFTING TRAUMA IN THE WINSOME WAY OF THE POET

            for Joan Fiset, after the conversation on home

This is how the eye begins to see,
namesake and heritage of the DNA.
Physicists tell me that consciousness
is physical matter, and it washes over my brain
as testimony. Like in the Leonard Cohen song?

Yes. If you are fire, then I must be wood.
Then you know of the work of Svetlana Alexievich.
The recording of the hesitancies and reversals
in the human voice telling its way through pleasure
and danger. This is the academic exercise? Oh,

the poor, poor brain, being pushy again.
The shy side, where the poem wants to be born,
needs a bit of time. Wisps, hints, and hunches
are the midwives of birthing. And gestures,
like the way your father squeezes his nose

before speaking? Yes, kind of like that.
Sometimes there is a love story so simple,
I want to call for the end of words.
It’s a fight to get into the in-between space
where vertigo rocks what wants balance,

but that’s where invitations seat themselves
before falling or righting the ship. Sleeplessness,
sometimes serves as the door of awareness.
Home and home not. Home’s own
nothing doing. Gabriel says goodbye

to Adam at the edge of the park.
Adam hesitating, his one question
about love on the tip of his lips.
How is it with the Angels?
Gabriel with that penetrating smile.

Jim Bodeen
25 January 2016


21 JANUARY 2016

Joan comes in this afternoon
on the plane. It’s my granddaughter’s birthday.
She’s 10. We ski together.
I’m sitting in the old train station
drinking coffee from Rwanda
waiting for a young woman
who has decided it’s past
time to put it all into words.
I have this habit of reading poems
before looking at their titles.
The coin I purchased for my grand
daughter is an investment
in her life story. Joan
is one of the messengers.
The coin, designed
by Canadian artists
Tony Branco and Arnold Nogy
is a lightning strike minted in silver.
It shows a rocky island in Ontario’s
Georgian Bay with bolts of lightning
in a summer sky. When illuminated
with an included blacklight
bolts take on life-like intensity
and luminosity. If you’re 75
or older, you can leave your shoes on
going through security
as long as they don’t set off
an alarm. I know this because
I’m at the airport waiting
for Joan’s plane. Karen’s
with me, a witness. All of us
are under 75, carrying poems
as if our lives depended upon this:
that our poems pass through
security undetected.


Jim Bodeen


I DON’T UNDERSTAND A THING

Sitting in the Gobi-Rattler Room
this morning before coffee,
in the silent time. I have found

a way to turn another man’s
words into prayer, Lord.
It terrifies me, this reclaiming

of words. Once, in a mountain
village, a man in a collar
got off the bus holding every

thing he owned. The leader
of the village took a breath
and said, He can’t stay here.

He stayed. And he stayed
with her blessing.
She must have taken another breath.

Jim Bodeen
22 January 2015


DHEEZUS

Deanna, Dee, Dee’s, Deez, Deez’s.

Dheezus to me. Rhymes with Jesus.

Know enough, now?
Know enough about Dheezus?

Know about the two of us.
Dheezus and Grampa.

That’s pretty much it.

Jim Bodeen
15 January 2016

ASKING MY 8-YEAR OLD GRANDDAUGHTER
WHY SHE LIKES TO RIDE HE CHAIRLIFT ALONE,
SHE RESPONDS:

Grandpa, the reason Sammie and I
like to ride the chairlift alone is this:
There are things you don't need to know.

Jim Bodeen
15 January 2016