ANOTHER ANNIVERSARY POEM

 

ANOTHER ANNIVERSARY POEM


Writing in the pew, after worship,

Bell Choir practicing, each pew draped

with handmade quilts sewn during the year,

Bart’s directing choir,

an artist himself, jazz pianist,

Karen is on the near end

closest to where I sit. Next Sunday

they will ring for the congregation.

They’re practicing, O Come, O Come,


Emmanuel. God with us in the pew.

It’s my dad’s middle name, never

used by him, but he could sign the E

with a flourish. Karen plays four bells

at the same time—G, A, A flat, B flat.

They’re talking back and forth now.

Bart is laughing. My Notebook’s open, along

with Bonhoeffer’s, Cost of Discipleship.

I’m three weeks living with his work


on the Beatitudes. I’ll never finish.

Blessed are the merciful. [May I die,

right here, Lord?] For they shall receive

mercy. Jesus speaking to his disciples,

Bonhoeffer reminds us. They have

renounced their own dignity. Bonhoeffer's

27 years old writing this. The same age

as Jimi* and Janis when they died.

The year is 1933. Bonhoeffer will be


hanged in 1945, at the age of 39,

the same age as Flannery O’Connor,

Martin Luther King, Jr., and Malcolm.

It will be spring right before Allied

Liberation. The day will be the 9th

of April, sharing the same day

as my mother’s birthday. They’re

ringing again, the bells, Rejoice!

Rejoice! Bell ringers throwing


out the sounds with their arms.

The disciples have wed themselves

to the poor, the stranger, and the wronged.

They wear the clothes of shame

and dishonor. This is the beatitude,

great gift, given to me by my mother,

and I have passed it on to my children

who have wrapped others in mercy

for more than half a century. It’s


too much. I imagine my children

as bell ringers. Cowering before

their courage, I often find myself unable

to praise. I hear them most clearly

in Cannonball Adderley’s great

song, Mercy, released in 1964,

written by Joe Zawinul, Adderley’s

piano player—Austrian, by the way,

who often had to ride hidden


in the car driving in the South

during Jim Crow because everybody

but Ziwinul was black. Mercy, mercy, mercy,

how Adderley introduces the song. Often times

we’re not ready for adversity, he says,

Zawinul playing in the background.

Returning to hear the song on Youtube

over the years, is how I memorized

Adderley’s words, and his speaking


voice, repeating, Mercy, mercy, mercy.

Rhyme in adversity. Its marriage to trouble.

One time at Thanksgiving my sister drops

a bowl of olives, crying, Oh mercy me.

A granddaughter asks her why she said that.

She says, We laugh so we don’t have

to cry, Baby. Mercy. It’s the joke that hides

our treasure. The way Jesus says, Price paid.

The way Karen rings four bells.



*Jimi Hendrix and Janis Joplin both died in 1970.


Jim Bodeen

24-25 November 2024












A CHILE PEPPER FOR JOE SANDERS, AND ONE MORE FOR BOB

 

A CHILE PEPPER FOR JOE SANDERS


                --for Joe and Bob Sanders


0253 hours

16 November 2024


Karen looks at the clock

and says, I can’t sleep.


Joe Sanders is dead.

A family member gone.


He died in his sleep.

But. Yes. I know.


The perfect death. Our

emptiness, a part


of us. Karen remembers

the last time we saw him


on the 4th of July. Joe

loved those fire crackers


almost as much as Joe

loved buying them. Not


as much as his black pickup,

shoveling neighbors’ driveways


and his hot tub—and barbecue.

A consciousness filled with cariño


helps us choose awesome, Father

Boyle says. Joe poured black


pepper on salad, on pasta,

until it looked like gravel


on gravel road. Joe Sanders

loved his brother Bob’s fresh-


made rolls, and would come

to the house early. Joe played


baseball, and had a bad knee.

He collected stamps, Joe did,


and delivered the mail. Joe

was a sailor who could talk ports


and California beaches. A Catholic,

Joe would worship with the Lutherans


and leave before taking Communion.

Belonging is always the uncounted


score in Joe’s cribbage game,

and Joe loved cribbage. Somehow


we lost that question. That conversation

never had a chance to return. Joy


was matter-of-fact with Joe

as he picked up the Serrano Chile


from his plate. God in that Serrano

Chile was never in doubt.



Jim Bodeen

18 November 2024



LINES FOR BOB DURING THE DAYS

AFTER HIS BROTHER DIES


Bob, it’s through knowing Joe

I came to know you in your deepest story.


Knowing you through family is what I love most.


After your marriage to our daughter--


you two firecrackers coming back

from the fireworks stand in Moxee

on the 4th of July.


                Reading the second

                Beatitude today,

                Sorrow Bearer,

                Holding it, staying

                with it, carrying it,


Blessed are they who mourn

for they shall be comforted,


how I walk with you, Bob,


Being with the suffering,

being suffering,


                    A Jesus man


Into the surf-mix-wet-week

where we all of us,

salted and assaulted

in our weakness

become blessings



Love,

Dad

22 November 2024

AS I TURN THEN TO KAREN,

 

AS I TURN THEN TO KAREN,


                        to receive her into the day--


click of the light from bedroom

signaling her entrance. Rain

as coffee finishes, and fire

in the fireplace. Click of coffee

cup on counter, and the twist

of plastic container, as Karen

reaches inside for two

biscottis. The pouring of her

coffee, and, as she walks

to her chair, preparing to sit,

first her breath, followed

by the cushions, rustling fabric,

receiving her body. Her mouth

hollows itself, enlarging

into its own sound chamber,

between echo and whistle,

as she sips, and tastes, the coffee.

We’ve not yet said

Good morning to each other,

each of us acknowledging

what is a beatitude,

this sudden explosion of song,

this ancient blessingway.


Jim

20 November 2024

CANDLE-LIT KAREN

 

CANDLE-LIT KAREN


            --Living room, on our 56th Anniversary


Your quilts surround us

On walls, on chairs, body-wrapped

embers, color threads


Jim Bodeen

23 November 2024

A BEATITUDE FOR THURSDAY

 

A BEATITUDE FOR THURSDAY, 21 NOVEMBER 2024


            Blessed are those who hunger and thirst,

            for they shall be filled.

                        Matthew 5: 6


I don’t know a thing

about righteousness, who’s filled

I took that part out


You know about my walking--

about the hunger, the thirst--


Jim Bodeen

21 November 2024

HE SERVED SENTENCES

 

HE SERVED SENTENCES


Me, in my life, this--

drove my brother to airport

Came back, went to work


Your work, what is it you do?

Like Dude, you write in notebooks!


Jim Bodeen

14 November 2024

VETERAN'S DAY, 2024

 

VETERAN’S DAY, 2024


Walk the neighborhood, wave

hello to kids on bicycles, catch

a basketball from two boys

shooting hoops in the street.

The taller one mad at me

for months after I told his

Dad how he drove his go-cart

in the street. Walking

with hearing aids, listening

to a lectture about Bonhoeffer.

He was so young in 1933.

1934. 27 when he wrote

Cost of Discipleship--

Jimi’s age. Janis’ too.*

Taking notes on a church

bulletin stuck in my pocket.

Writing over Mark’s gospel:

Beware of scribes

who like to walk around

in robes. My people implode

after the election

six days ago. I didn’t even

know what day it was.

Ones come back

come back different.

Returning, Karen’s

curled up on couch

with a blanket. Immigrants

day and night

with other thoughts.


Jim Bodeen

11 November 2024


*Jimi Hendrix, Janis Joplin

WHEN ASKED ABOUT A DRAWING

 

WHEN ASKED ABOUT A DRAWING

OF MY BROTHER CUT OUT IN CLOTH


                              A poem for public school teachers


That teacher in 8th grade,

in the city school in Seattle--


                                               She said,


Take your wrist from the paper,

only the pencil touches, don’t


look at the paper, take your eyes

off it now. Look at what’s in front


of your eyes. Draw what you see,

don’t peek. When we were painting


trees, she showed me to make brush strokes

below what I thought were branches


telling me, Now, Brown paint.

Now you’re painting what you see.


This is color. You’ll need lots

of brown paint. She gave us large


envelopes big enough to slip

our paintings into. We carried


them under our arms and they went

all the way up to my arm pit, and


it had a string attached

to the large flap that wound


around the small cylinder

on the bottom securing our art.


When drawing portraits the first thing

she pointed out is where I drew the eyes.


Look at where you put them!

You put his eyes at the top of his head!


Look at the face! Eyes are in the middle.

And where does the nose go? Is


your wrist tired? Is that why it rests

on your drawing? I was most proud


of my forest, newly awakened

to the douglas fir. I was from the prairie,


country. My teacher, from the city, she

shows me how to paint what is visible


underneath green needles. She

showed me the mountains.


I returned again and again to the horse,

drawing the head from the side,


the eye its own universe, all-seeing,

and its single breathing nostril. That


brown envelope carried all of my work.

It was large, more cumbersome


than my trombone case

that was bigger than my body.


Nearly 80, now, I draw her face,

not knowing my teacher’s name.


Jim Bodeen

15 October-9 November 2024



GONE FAR ENOUGH

 

GONE FAR ENOUGH


               for G.


Mom used to say to me,

Jimmy, this time

you’ve gone too far,


and I’d say,

under my breath,

Maybe,


Maybe not.

One time

I thought I had


and found out

later

I hadn’t


Jim Bodeen

30 October 2024



0220 HOURS

 

0220 HOURS


            Opening Monday Morning


When I get up to pee,

        dark, dark, dark

when I get up to pee


Dark, dark, dark

        when I come back to bed


Dark, dark, dark

        in the notebook

when it opens



Jim Bodeen

29 October 2024

(BUT, BUT) (NOT SAID) (DON'T READ OUT LOUD)

 

(BUT. BUT) (NOT SAID) (DON’T READ OUT LOUD)


If I am quiet enough

I can hear

everything that is said


I don’t even have to be quiet


        So many languages


Karen speaks to me in color

            in fabric


After she listens


She wraps me in squares of cotton



Jim Bodeen

25 October 2024

THE NEW NOTE CARDS

 












THE NEW NOTE CARDS


He puts an envelope

into the margin of the book

where he wants to begin. To hold it.

He’s written title and author’s name

on a slip of paper, cut to fit,

and he puts that below the passage.

He learned to make note cards

in junior high school 65 years ago.

A scrap of paper has room

for the page number.

He will take his Iphone

and photograph this portion

of the page. He can make

postcards from the image.

He may write something,

a poem, a prayer,

or, simply send it

as it was made, in an email.


Jim Bodeen

23 October 2024

SOMETHING COME FROM NOTHING IN LEFTOVERS

 

SOMETHING COME FROM THE NOTHING

IN LEFTOVERS, DAY-MAKING IN THE TEMPLE

WHERE I’M COMING FROM WORLD COMPOSING


for Klyd Watkins


Waking before the mean time

timeless in the dreaming a kind of timing

and practice, and before the quiet requests

of the toes for movement, the compost

works its warmer ways into those other

extremities of wonder. Yesterday’s cut

peonies, turned once, have had nearly 24 hours

to settle in to dark spaces of revolving

black plastic. These first images of waking

arrive before altered shadow dark ones,

all part of the great messy mix. My friend

laughs his love for me in a poem commenting

on my age, time to turn to other thoughts,

and the 6-inch sliding doors, such

narrow access for the comings and goings

of the world composing itself such

deep down things. These and other

soil-making thoughts disturbing

this morning. Such tiny movement,

you’d think I might be a Feldenkreis

instructor, saying, Go slower. Two

new books (and old books) arrived

and sent. The new from Tennessee,

from Klyd—Feathers, and his own poems,

What Charlie Pride and Ray Acuff Talked About

Before Singing. Klyd is all sound country.

Hear that? Sound country. When he asked

me for feather poems I didn’t have any.

Now I wish I did, what I wrote him. Last week,

maybe longer, turning compost

(in the North Park of the garden)

where the temple is, I remembered

Snyder and his buddies talking about

the horrible garb doctors wear.

What should they wear? One asked

Snyder, they’d been talking about

Mountains and Rivers Forever.

Feathers, he said. Feathers,

they all repeated laughing. Then,

walking with Karen after Feathers

came in the mail, one feather

stops me on the sidewalk, this

bright orange shaft. But beautiful.

Some call this the rachis, this orange stem.

Look, I say to Karen.

This pure orange. And here’s two more,

she says picking them up. I photographed

them in her hands with my Iphone.

Those doctors. Doctors in feathers.

That’s a poem right there. Feathers

go into composts too. Not these.

These feathers go in the mail to Klyd.

Maybe they’ll be book marks, or cairns.

He might use the quills for writing.

Feathers in compost are 90% protein,

15% nitrogen, classified as green.

The science of protein in the form

of keratin, a fiber, is heavy reading.

The feathers in my hand don’t come

from poultry, however. I worry

they might have come from the kill

of the neighborhood cat lurking from

beneath some tree. Banana peels,

cardboard, coffee grounds, carrots.

All of it with falling leaves coming

in this mid-October week and last grasses.

Too much green soon turns to too much

brown, all of it delighting my politics,

my stand. I will make soil. I will get dirty.

This morning there are 26 days before the election.

Baseball playoffs before the World Series,

another source of medicine. What Klyd says

regarding that talk between Acuff and Pride

before the song? They were talking

about baseball. I don’t even know

if they voted. We do know they

were surrounded by bad politics,

and that baseball is a vaccine.


The thing about composting is the listening.

When you’re in there, when you open those bins,

you know everything is included. Everything.

The whole mix. Word comes like that.

Putting something together is dictionary.

Putting something together, like song,

or poem or prayer. Everything you can’t

see goes in. Especially things you can’t see.

Things you don’t even know about go in.

You can’t see it, but you can hear it.

You kind of can. Everything becomes

available for something else you don’t

know about. Right here. Here

might be the place to end this

whatever it is, and grab a shovel.

But it’s not the end either, it’s like

last Saturday, I went to Fruit City

in Union Gap and loaded up.

I bought the smallest of the large cabbages.

It was morning. It was another beginning.

And this cabbage.

Fourteen pounds. Big cabbage. It’s own wonder.

Soup, slaw, sauerkraut. Some for neighbors,

yes. And truth be told, some of it for compost

as much as the kitchen table. Some of this cabbage

for making soil from dirt. A kind of vote

for planet Earth.


Jim Bodeen

9-11 October 2024

BEGINNING THE STUDY OF THE PRESENT














BEGINNING THE STUDY OF THE PRESENT


After cycling, the coffee. After

cycling, Karen and coffee. After the lonely

night with Bonhoeffer, sunshine,

and Karen says, “Should we go get our shots?”


Yes, Let’s go. Flu and Covid. I carry

two copies of Harper’s—two essays

I read separately, ending summer, beginning

fall, each read twice, and a third time


at the pharmacy, 22 days before the election.

Yesterday’s Men, the Death of the Mythical

Method by Alan Jacobs, and Glimmers

of Totality, on Fredric Jameson at 90,


by Mark Greif, spelling correct. Quick

note: Jameson just died, on the third, after

a fall. Yesterday’s men, mine really, our

generation—Northrop Frye, Joseph Campbell--


didn’t know Giam Battista Vico, writing in 1725--

shorten the reign of barbarism. Jameson’s a Marxist,

his two characteristics of America: hypocritical

and shallow. After the second read,


transferred favorite sentences to notebook,

downloaded the e-book (couldn’t wait):

Inventions of a Present: The Novel

in its Crisis of Globalization. Here’s a sentence


from Greif: “Every intervention, rereading,

and retrospection by Jameson is about the present

and the wish to shape the future.” Our pharmacy’s

still locally owned, believe that? Karen takes


both shots in her left arm, and I take mine

in the right. Tieton Village Pharmacy. We’ve

known the pharmacist for years. Two years ago

when we had Covid at Christmas, he got us


going with Paxlovid. Karen quit after two pills.

I asked our guy to talk about virus and bacteria,

both in the context of Covid and composting.

“It’s been years since I had a microbiology class,”


he says, “bacteria’s more complex in cell structure.”

I just want to know how the worms get into the compost.

From Tieton we stop at Ace on our way home.

Karen wants purple and orange LED lights


for the porch during Days of the Dead.

White neighborhoods coming from Halloween

and commercial costume parties are catching up,

especially with skeletons—aka calaveras,


in the dominant culture in our town. I’m not

the Stage Manager. North America’s importing

ten-foot skeletons that fill lawns and houses--

no places to store these bones so large


there’s no place to store them. One neighbor

dresses hers according to the seasons. No one

knows the ancestors here, and to take them down

she’d have to take bedrooms from her children.


Skeletons come from computers don’t eat first.

How could these people ever tell a story?

Karen’s anxious to get back to her quilt.

Let me tell you what happened last night.


That night read with Bonhoeffer: Living

in community. “Whoever cannot stand being

in community should never live alone.”

A year like this.


Just after 2, my arms reach out, she’s gone.

Karen, I shout from bed. “I had an idea,”

she says from the other room. “I want to put

the chain fence behind Chuck’s portrait.”


Chuck’s a baseball coach. Women’s Fast Pitch

at the college. A memorial quilt. His wife died.

He brought by a stack of jerseys his arms

couldn’t hold. Karen’s been dreaming this


documentary into art for five months.

“You’re going to put a chain around Chuck?

How is that a vision?” Now we’re both up

walking around fabric. My brother’s


coached baseball for half a century.

How the day starts from dreaming. From

Jameson. Jameson’s goal: If you want to be

a fully dialectical thinker, you can’t be satisfied


with just the statement of one side.”

Nearly the size of a bedspread, Karen says

Chuck can never put it there. “He has dogs,”

This must be hung, it’s a statement about time.


Jameson’s voice is one of courage, implacable,

“...aware of the degree to which radical

efforts of late capitalism have been

conservative and traditionalist.”


Converted and re-functioned.

“He Names the System We’re Still Fighting,”

His obituary in The Nation headlines.

The Marxist is never safe he learns


after he champions a writer who turns

him into the FBI. “For, to be sure," Jameson writes in

Inventions of a Present, “our bodies themselves

are sick and poisoned with all the industrial waste


of the market civilization, which we relive

in the taste in our mouths…” And no one is better

his obituary states, than Jameson. He remains.

Today is National Indigenous Day,


and despite her fame, America doesn’t know

the Poet Laureate Joy Harjo. How could it recognize

her poem, Remember, when put on Facebook?

22 billion dollars is what it will cost Los Angeles


to end homelessness in a decade, L.A. Times reports.

45,000 homeless in the city. 29,000 unsheltered.

Less than 7 billion budgeted. Some want less expensive

strategies. In Seattle, Danny Westneat reports


in the Seattle Times that the Hope Factory’s tiny homes

sit empty where they’re built, 500 of them hammered

by volunteers, sent out as “colorful, 100-square foot

missionaries to get people off the ground.”


No one has a straight answer, he reports. Some like them

too much. Some call them shacks in Shantytowns.

The Hope Factory. In Yakima we have Camp Hope,

and tonight is our turn to serve dinner. Pulled pork


sandwiches, barbecue sauce, cole slaw, home-made

cupcakes. West Coast homelessness. Camp Hope

dinners in the army green tent. Marion tells me

to watch how much slaw I load on my spoon


as we’re expecting more people due to cold

weather. Sunny and beautiful, but cold.

Covid shots, flu shots, egg shells in compost

aids photosynthesis, strengthen cell walls in plants.


Jim Bodeen

14-16 October 2024








HE SHOWS HIS GRANDDAUGHTER THE COMPOST BINS

 

HE SHOWS HIS GRANDDAUGHTER

THE COMPOST BINS ON SATURDAY


He had been out of garbology

since he left the mountain retreat village

that broke everything down. Now

that he was back into it


he remembered cardboard

counted as brown. He would

bring himself up to speed.

His own composting,


Put something together,

from Old French,

make plant manure, he tells her,

and she looks at him


to show she didn’t understand.

Plant shit, he says,

and she smiles.

It’s kind of a honey bucket.


You brought this pizza

in a cardboard carton.

Wet it in the sink and it’s soft

enough to tear in 20 minutes.


It goes into the compost

tomorrow on top of the grass.

This makes our planet younger.

Cardboard counts as brown.


Jim Bodeen

12 October 2024

THREAD OF CREATION

THREAD OF CREATION

HEART CENTER DREAMING


          --for Karen


Any glimpse enough

Making documents of cloth

Around weathered arms


Anywhere to anywhere

Unleashing real existence


Jim Bodeen

12 October 2024

LOOKING THROUGH BOTH SETS OF EYES

 

LOOKING THROUGH BOTH SETS OF EYES


What do others do

when everything--

I mean, the only one one’s ever loved

disappears behind swinging doors



Walk the hallways

Look at the art on the walls

Write in the notebook

Any of it can bring trouble



What I saw

she never could

It helped me see

what I couldn’t see



through the alternative

lens—then again,

and later, to see

with ordinary eyes



what I’d seen under

medicine’s dizziness.

Ordinariness of the third eye

Third ear listening



Jim Bodeen

2 October 2024

Storypath/Cuentocamino: : OTHER STAIRS, AND OTHER STAIRCASES

Storypath/Cuentocamino: : OTHER STAIRS, AND OTHER STAIRCASES:   What do others do when everything-- I mean, the only one he’s ever loved disappears behind swinging doors? Walk the hallways Look...

DRIVING TO ELLENSBURG WITH STEVE TO STUDY BONHOEFFER

 

DRIVING TO ELLENSBURG ON I-90

TO STUDY BONHOEFFER WITH STEVE

BEFORE THE 2024 ELECTION


        --for Steve Hill


Driving home he says these things

come up on his phone every day--


I get the last one: What good shall I do?

This thing called grace, the cheap one,


what we talk about. Steve’s catalogue

built from yard sales, a garden with no


white space, surrounded

(immersed?) by the homeless


(and every homeless plant

re-planted) is a catalogue of things


to do daily advocating for those

living in tents, sleeping under tarps.


Shopping carts, dogs, doorway

urinals, letters to city hall, nothing


eliminated from Steve’s agenda.

You don’t go off the handle,


ever? Nope.

What would that do? The book


in his bag, today, Trash.

But I thought you were reading Bonhoeffer?


Steve is costly grace. Steve has

his twenty people, it’s such a small


circle, he says, walking me through

his compost system, from kitchen


waste to aged-top

soil, showing me how his sprinklers


keep things moist. Here pick

some figs, he says. This is Cedar


Monroe’s poor white journey, Trash.,

still deep suffering to attend to,


still much work to be done,

Steve handing Monroe’s book


to me in the car, paraphrasing

his own neighborhood full of color,


and poor whites: 66 million poor

whites in America: If you are housed,


or at least a verbal agreement to live somewhere…

Pastor Monroe. His cross on his desk:


We are not trash. The systems that kill us

are trash, his epilogue his anthem. Steve’s


got his hat on, his suspenders,

in cutoffs, looking at a boarded up


Victorian house as we drive

neighborhoods: Wouldn’t it be fun


to get that house and a bunch of kids

and fix it up! Bonhoeffer knows


deeply, he knows, how the Gospel

gets turned into its opposite through


such easy moves. How does Jesus

read scripture! So interesting.


Where do you begin?

The way Steve opens his phone--


Names what he’s grateful for,

three things, asks, What good shall


I do today, saying

Good things will happen.


One can’t be Christian and nationalist.

Answer your own questions.


Jim Bodeen

20 September-1 October 2024

THIRD EAR* LISTENING

 

THIRD EAR* LISTENING


Bicycle sunrise

Inside forbidden language

Saturday's letters


Soul work rain gutter gatha

Turning compost’s inner heat


Jim Bodeen

21 September 2024



*Theodore Reik, Listening with the Third Ear, 1948;

Elizabeth Rosner, Third Ear: Reflections

on the ART AND SCIENCE of LISTENING, 2024

THESE ARE THE LONELINESS STEPS

 

UNTITLED


These are the loneliness steps

of the back stairway. These

are the steps I walk to work


Take the door

off from the kitchen


Jim Bodeen

18 September 2024

SALMON LADDER DREAMS

 

SALMON LADDER DREAMS


Notebook cautions—here--

Arm plunged pit deep in compost

End-stopped fragments hear


Breathe where oxygen listens

Gather pueblo’s elder sky


Jim Bodeen

14-16 September 2024

JUST AFTER 4 AM

 

JUST AFTER 4 AM


     “And all that it required was single-minded obedience.”

              --Dietrich Bonhoeffer, The Cost of Discipleship


Karen asks me,

What time is it?

What are you doing up?


Looking for my phone.

I got up to read

and didn’t have


my notebook

or my phone.

Didn’t want the phone


only wanted it charged.

Here it is at the foot of the bed

and my notebook


was in my backpack.

Now there’s this page

and Bonhoeffer in my hands.


Jim Bodeen

13 September 2024

SITTING WITH MY BOOK BEFORE LUNCH

 

SITTING WITH MY BOOK BEFORE LUNCH


My fingers smell like cilantro

something from nothing

like celery, like green onions

My fingers smell like compost

and they’ve been there

deep into all that’s rich

in browns and greens this knowing

this remembering so clearly

on these fingers these earth

places, the soil and the body

these smells from the sea

the salt of it all in the salads

for Karen the crab and the shrimp

and everything tossed

in the garlic

rimmed around the bowl

all of it storming the nostrils

only part of this reaching me

the most beautifully titled movie

ever made must--

oh! even that word--

must be

The Scent of A Woman


Maria de los Angeles

wraps herself in a canvas

cut from a painting


All these kitchen memories

swirling through long marriage

come from my fingers


Jim Bodeen

12-13 September 2024

VANCE'S SEPTEMBER 5TH WALK

 

VANCE’S SEPTEMBER 5TH WALK


Those bearing down cylinders of light

might be too bright for the situation we’re in

so bold and red and blue shiny like that

still there’s something ominous about them

like maybe the operators are not my people

the ovals now, those red ovals

inside the blue circle

those ovals know the totems

from Haida Gwaii


The salmon see the shadow of the man


Maybe maybe not


be wary nevertheless


those eyes

those eyes

that fur

those eyes


that fur though


wild


course to touch


Don’t know

Don’t know


those human beings and those cylinders


Jim Bodeen

5 September 2024

THE DATE SHE BECAME A NUMBER

 

THE DATE SHE BECAME A NUMBER


She smiles as I place the cupcake

on her plate, handing her the plastic

fork wrapped in a napkin.

Young, attractive, personable,

her tattoo mid-level

between her neck and breasts,

but too close to the neck to hide

with a buttoned blouse.


Six numbers—two for the month--

two for the day of the month--

two for the year--

dashes between the numbers


Jim Bodeen

10 September 2024

WEDDING SONG FOR ARNO AND JAZMIN


 













WEDDING SONG FOR ARNO AND JAZMIN



    Each be other’s comfort kind

            --Gerard Manley Hopkins


    Now you will feel no rain,

    or each of you will be a comfort to the other

            --Apache Song


Geologist and geology

time and the stone’s foundation

Public health and justice meeting

One voice from two

young love in a September wedding


How perfect you two are

What was just now two is one

No you or I but only you and I

Quilted now, a fabric somehow turned

What love sees in the two of you is you


Already with one life half-forgotten

What was unaware before finds hope and care

Blessed is the man Arno

Blessed is the woman Jazmin

Imitating Christ is good in every way


Grown beyond yourselves in the saying

of your love--Blessed be two persons

promising to live for one another--

What great demanding force

become delight--Not a spirit--Not a bird--


You make a city great--You two,

romancing, two becoming lovers--

Becoming faithful, you discover faith--

Surprising yourselves becoming one--

Such happiness in every vote you cast.


Jim Bodeen

7 September 2024