THE PLAYER, TOO, IS A PRISONER
--for Jim Hanlen
There is no scriptorium window
in this house. However,
walking with hoses yesterday,
about to lift them into a winter
box, I turned into the overhang
of the Mothership which dealt
with me swiftly. The blow
put me on my back, re-
injuring my tailbone
I busted 30 years ago
in the YMCA basement
when I fell off the shower stool.
Emily Wilson’s Odyssey
translation points out that both
Odysseus and Telemachus
are only sons, more trouble
for the world. She has several
things to say about men.
Alongside her Odyssey,
on the floor, I have
Robert Fitzgerald and Stephen Mitchell.
All of this marginalizes me.
My notations over half a century
are contained in Fitzgerald’s
translation, originally published
in 1963, the year I graduated
from high school. God forbid.
That blow knocks the music out of me.
Mitchell puts the second visit
to Hades from Book 24
into an appendix, odd,
and while keeping Athena
in the form of Mentor,
ends his homecoming,
in body and voice.
Fitzgerald finishes,
she kept the form and voice of Mentor,
and Wilson, still in her guise as Mentor.
The Iliad wearies me like MSNBC.
Inside the story-final, in Hades, now,
listening to Agamemnnon,
Wilson hears it best, telling
of Haephaestus’ double-handled
gold urn with bones and ashes
of both Achilleus and Patroclus.
That’s about all I want
adding Book 8 which Wilson
calls Songs of A Poet.
Into this, my friend in Alaska
walks with his sticks into a coffee shop
where chess players gather around boards
and play without buying. My friend’s
attracted to Borges’ poem, Ajedrez.
A poem as mean as chess itself.
Borges. Torre homérica. A corrupt bishop
and the attacking pawns: los peones agresores.
Como el otro, este juego es infinito--
the game of love never-ending. To Jim Hanlen:
¿Qué dios detrás de Dios?
What god beyond God? My ranked friend
laughing at seminarians who remained, a holy man,
crying before those who gather in the cafe.
Before this batalla armada he chose the poem.
Jim Bodeen
26 October 2023
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