TO THE QUILTER, LUCILLE CLIFTON,
WHO CAME ON BOARD WITH THE BLESSING OF THE BOATS
Your poems arrive with pie cherries
from a friend. The dedication, BF,
ma, mommy, grandma, lu,
on pages laid out with so much space
each line relaxes into itself,
your embracing arms.
Michael Glaser and Kevin Young careful.
My mother’s name, Lucille.
A granddaughter, 15, with your names in the middle.
A foundation and brick. Book coming in at 769 pages,
and this is betterness
These are good times
and when these poems come out
I’m just back from Viet Nam,
still don’t know how I found them.
my mama moved among the days
like a dream walker in a field
you’re born in 1936, where I’m going,
quilter. The Colorist Rex DeLoney
brings Colorist Rosie Lee Tompkins
into our family with a painting
he calls Quilt for Rosie Lee,
you two born in the same year,
you two shaping ways we breathe.
Rosie Lee faces my wife Karen,
two quilters while I read
somewhere in the other where
lines collapsing around
the yellow-eyed woman
looking at us in a living room
where/ alchemists mumble over pots
*
Your uncollected poems up front
and throughout, the R.I.P.
5/23/67 for Langston
Oh who gone remember now like it was
the early capital letters, Dear Mama,
all that i do
i do for you
Adhering to gift principles
the gift must always move
poems and quilts blessed by the pastor
they’re all women now
Lucille entering with Rosie Lee
my mother Lucille, too,
like she just got off the bus.
House full of Cele and Lucy and Lu.
Mysterious Luz Belle, smiles
all around coming from El Salvador,
these blessings moving things around
every poet envious of shaman fingers
I get your poems for the pastor
leaving songs of Rhiannon Giddens
by your portrait on jacket of the book.
I read your Crazy Horse poems.
Spirit bird women all
I promise pastor a slice of cherry pie.
*
What’s going on here in poems
happens in needle and thread,
happens in pillow cases
of transfigurations.
Tony Morrison chides scholars.
Where’s the work on Clifton?
Page beautiful forces my read in kind.
Tiny mirrored squared bullets in black ink.
look i am the one what burned down the dew drop inn
I would write on that line and the willie poems
Precision of voice and story, direct line to and from danger
with a truckload of library credibility
and direct access to archives.
Liminal space on pages with time to breathe and recover between poems.
Burning pages. Women at kitchen table. Cherry pie.
In the meantime. I’d go there. Already and Not Yet.
Old Testament witness
Animal blood, night vision, certainties
All that is uncollected belonging and here, part of us,
merciful meaning, mean, meantime
All for mama, all of it, quilts taken down from walls warming,
scholarship of the heart mama’s burning poems remaining
Jim Bodeen
July, 2021
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