CHOOSING THE MOUNTAIN

 


https://www.youtube.com/watch?v=3jynYSaqLe4&t=3s




Under the ropes and into Goat Rocks Wilderness during spring Beauty Quest following a winter storm. A quiet walkabout. Some things in the backpack: Lunch, Mothership Log #13, Rumi, and a camera. Storypath/Cuentocamino. March 26, 2021.


CHOOSING THE MOUNTAIN


When confronted by the culture

choose the mountain. A basketball

tournament blinds me. Athletes

running up and down the floor

while winter drops five inches

of dry snow on White Pass.

Rest before speaking, tension

breath within, early

with coffee and news. Saying

it makes the decision.


Saying it.


Mothership loaded, I open

Cold Mountain

from the butterscotch chair,

spaghetti with mushrooms

prepared for Karen.

The master waves the white whisk,

with the sandalwood handle,

pointing the way. Virtue

in preparedness, in sudden

speech. By noon

mothership backs into trees

by a snow cave dug out

by children with small shovels.


I stash two cans of Pepsi Cola

in the cave. Snow shoes

yield to skis, my Soul 7

powder ride, quickest

access to boundary ropes

and the imagination. From

flat light so many

available lenses.


Jim Bodeen

22 March—28 March 2021


HOLDING UP THE SKY

 HOLDING UP THE SKY



*


Ski tracks through snow light

Flat sheen sun shadowed in trees

Wonder wandering

Jim Bodeen
23 March 2021













STAR-GODDESS COMPANIONS--RICH AND ALIESAN

 

MARCH LIGHT AFTER ALL THIS HAS HAPPENED


      A poem may be written in a moment

      but it does its work in time.

      Adrienne Rich “Forword,”

       --The Fact of a Doorframe


Walking the development with headphones

mountains in the west, its wind

where I peek into Goat Rocks on skis,

midweek, Women’s History Month,


Adrienne Rich asking, What

are you going through? The only question,

Jody Aliesan, the one I’m asking,

Jody and Adrienne, Milky Way


companions. I’m listening

through headphones. Thresholds

among stars beyond me, all

that arrives in sidewalk doorways.


Hilary Holladay’s rich biography.

Power of lies, secrets and silence. Story

older than God, Jody’s manuscript

sent from Canada in her last days,


saved in my study, True North /

Nord Vrai, altar in guest room.

Walking options. When confronted

by the culture, choose the mountain.


Jim Bodeen

22 March 2021




BLUE SNOW STORM FOR JODY

 



 BLUE SNOW STORM FOR JODY

          --Aliesan

Jody’s book of 20-some genres

True North / Nord Vrai, built

around poems, rests

beside two rolls of toilet paper

and a candle in the bathroom

I remember carrying it

before the plague struck

it’s been doing its work

beautiful thing

I didn’t see the collage

until this morning

opening until

this morning

radical, visceral, basic


Jim Bodeen

21 March 2021








 

AUTUMN AND SPRING ON THE MOUNTAIN

 




Old Snowy, Goat Rocks Wilderness, 

Cascade Mountains Washington State






AUTUMN AND SPRING ON THE MOUNTAIN


grandchildren with Cold Mountain

don’t know either

what to say, how to be,

polite, dutiful

They’ve gone silent

as they’ve become quiet

no longer children

She still opens the book

finds a poem and reads

to the old man

She knows random and she doesn’t

her mind’s in a pool with the moon

Nothing to compare it to

The snow stays frozen

Skis slide over graphite

easy and fluid

Cheeseburgers expensive

on plastic

This last day of winter

on the mountain


Jim Bodeen

19 March 2021

DAY 16 ON THE MOUNTAIN WITH GRANDDAUGHTER











DAY 16 ON THE MOUNTAIN WITH GRANDDAUGHTER


Peeling a Cara Cara orange

I hand her Cold Mountain poems

and she opens the small book

picking one at random

reading in a hurry

she’s ready to ski

humoring her grandpa

The mothership is a refrigerator

cold I eat the orange

cold my nose running

she’s gone already

for her first run

I forget to put

mole skin over the bone spur

growing out of my ankle

people ask about the cold mountain

way you can’t get there

by driving Highway 12 west

beautiful thing

look at these cars in the parking lot


last day of winter

clouds, flurries, sun

shine breaking through breezy

sunglasses foggy

can’t see dragons through trees

my heart, my heart

the nurse tells me

I have the heart of an athlete

mothership log knows

this heart it’s more

like Sammie’s more like Dheezus’

How did a North Dakota boy

find this mountain pass


Jim Bodeen

19 March 2021

Mothership

DOWN IN ATLANTA FOR CORNELIUS EADY AND STERLING BROWN

 

HOW THIS HAPPENED


     --As if they didn’t know where they were

        Cornelius Eady “Crows in a Strong Wind”


Back from eye doctor

Rough Magic Atlanta drum

Kitchen counter clean


this morning, down in Atlanta

first song gets it right

hand the young optometrist


the burned copy of Mr. Brown’s

song poems read xeroxed wrapped

Bitter Fruit of the Tree, glossed


black ink in margins.

So he’ll know where vision

comes from, ancestral new


signal lights coming on. Young

physician, this medicine

fights hate in Atlanta,


come from Michael Harper

songlines week-end-workshop

cookout Cornelius Eady


threshold walking chance-

changing door way new

project development walk.


Jim Bodeen

18 March 2021


from The Cookie Poems

 

THE COOKIE POEMS WERE MINE

BEFORE THERE WAS AN INTERNET


--for Tim Reierson


First there was the dream

of the oatmeal cookie


Then there was the Snickerdoodle

as a compound word


Sometime later

the jelly poems arrived


Jim

Highway 12 West

23 January 2021

Storypath/Cuentocamino: : 28 DAYS IN FEBRUARY

Storypath/Cuentocamino: : 28 DAYS IN FEBRUARY:   Michael S. Harper/Sterling A. Brown/August Wilson 28 DAYS IN FEBRUARY—The Context Three anthologies of African American poets have g...

Another Letter to Sterling A. Brown Following Black History Month

 

ADDING TO THE LONG STUDY OF STERLING A. BROWN

ANOTHER LETTER FOLLOWING BLACK HISTORY MONTH


Dear Mr. Brown,


I know you this morning from your voice

reading at the Library of Congress in 1974,

and your telling and explication

of truth and lies in the upside-down world,

you, being, in your words, one

of the great liars of Howard University,

muddying the waters by including

the president and board of trustees

among the select. May I say, Sir,

I love you for the way you talked

about the young man who illustrated

“The Ballad of Joe Meek,” the kindness

in your reprimand, before

reading the poem. And for the way

you introduced “Old Lem”

as you entered deeper into

Southern Road, listening

through they come by tens.

Through violence and bleedings

as you record how they come,

not by ones, not by twos,

but by tens. Mr. Brown,

Thank you, again.

You come to me, Mr. Brown,

through Michael Harper

in your manufactured dressing

of him in a tuxedo. Michael Harper,

too, has memorized the Robert Frost

poem Dave’s Dive-In.

Michael Harper gives me the lovely

word, raconteur, in praising you,

deal me five cards, you,

Ernest Gaines and Harper in the same

Hall of Fame room. Through

Harper I know The Odyssey

of Big Boy, classic and epic,

I know you close with Strong Men,

Strong men comin’ on,

and Mr. Brown, they are.

They’re coming on, they are indeed.


But Mr. Brown, I’ve also known you,

now over half a century, when I was

21, when Housman's One and Twenty

lay on my army bunk, your voice

carrying. I knew you from Arna Bontemps,

and Richard Johnson--teacher/friend, and Folkway

research, and the WPA, the blues,

the records and the music and the blues,

and the Federal Writers Project,

and how you immersed

yourself listening, and I always

tried to get the listening right.

The practice of the listening itself.

Pure listening. Listening again,

digging, in my mid-70s,

you’re coming through, strongest

from the beginning, of the strong men,

coming on. Too large, yourself,

for subversive, except when saved

for the greatest of them, Jesus,

DuBois. James Weldon Johnson.

Remembered this morning

in your lines to Anne Spencer.

Mr. Brown, those in your footsteps

have done you proud.

In lifting them, you’ve lifted

the likes of me, child

of the Dakotas, growing old

reciting Children’s Children,

one of so many grateful

in remembering with grace,

your faith, how you responded

for your brother, your brothers

to the question, Am I bitter?

Butter beans for Clara.

Stronger in spring.


Jim Bodeen

9 March 2021

THE VASTNESS THROUGH THIS NARROW WINDOW

 

LOOKING INTO VASTNESS FROM THIS NARROW WINDOW


Copy the lines from Tu Fu's poems

and you'll never worry again

about the poverty of your spirit

begin where he left off

in your notebook

and you can travel the sidewalks


Never needing the last word

Each gesture of the poem always wild

David, my translator, has given me cairns,

sometimes regal ch’i breaths

come from anywhere

a kind of marmot whistle


Jim Bodeen

3 March 2021

BAI HAO TEA CUP POUR

BAI HAO TEA CUP POUR

First thing that I did

moving to 2010 House

building gate with no fence


Jim Bodeen

1 March 2021