THE DESCENT
Trekking poles shorten
coming off the mountain
leading me, bringing
body closer to earth,
a turning angle,
animal orientation
more sure of self
one of the four-leggeds,
Jim Bodeen
28 June 2015
WHAT THE FUCK IS THIS?
It’s somebody’s pickle jar.
Jim Bodeen
26 June 2015
INVITATION FROM THE OTHERS: ACCOMPANIMENT WITH THE TREES
This hike to the alpine lake—it’s all about the trees,
the
fallen trees—walking through them
on the way to the lake. Standing there.
The
invitation in silence.
O fallen ones, your movement
restoring
community—
standing there, the charred ones—
As I go
out.
I will never forget you—you stood
for the
camera on the way in.
I didn’t see you coming—
and
there it was—
your invitation in silence.
The portraits, present—
My God—
You’re part of the trail—
burned
black before me
already composed. You, who have been
so
patient—
as it was in your green life
when you
were making leaves
and candles—making leaves and candles—
your
story in your needle making,
in your deep rootedness,
and in
your deep belonging,
your belonging, and our entrance
asking
for treaties and interdependence—
In your great burgeoning forth
of the
cosmos, in which you played
(and so do you still),
as it is
in the great legacies—
you stood there.
You thought
you were
just walking to the lake with your pack
and your
water pump?
You stood there. You stand so still.
You, the
great trees,
in a wilderness place set aside for your well-being,
gave yourself up in flames.
You war word and witness.
Word in
witness—
Greeting me. You greet me,
and the
camera follows you
off trail. You watch as I walk out,
thinking
I know you—
recognizing you in your individuality—
knowing
you as you
went up in flames.
You are
kept as you stood
in mid-flame. The individual flame
marking
you where it took your life.
The point where the camera
interacts
with the flame
calls me out.
I
recognize you now,
walking out. Walking out,
I know
you.
My reach
in accompaniment
is always greater than the actual walk.
You
stopped me on the trail.
I left the trail at your invitation—
unable
to resist your dark beauty.
There was no choice—
You
stood as the beloved stands,
and the cameras, which I carry,
captured
your light
coming from all that is unknown
within
me.
Who
are the lost ones?
What
might they need to be found?
And all that is unknown and on fire,
lights
up in flames—
the flames remain.
One
follows the beloved
in an easiness, without guarantee.
This is
true as you are true.
Long ago, a young man, in another war,
my
country defoliated you
as part of a conscious plan
aimed at
the destruction
of your jungle family.
It
was my job
to evacuate soldiers
who had
survived the battles,
the wounded ones—burned monks
in
monasteries, eschatons—
and the trees burned before us.
Totems
on the northern shores
of Haida Gwaii—
How we
saw the other—
It was my job to evacuate soldiers
who had
survived the battles,
the wounded ones, to burn centers.
There are no burn centers for the trees.
You have stood for the camera.
You are beautiful in fact, wound, flame.
Beautiful
in texture—
your blond wood shining
under
and after flames.
With and among you.
With and among you.
Asking for that.
Asking what you need.
You are the elders.
You are children of elders.
You are word out of silence.
Word into silence.
Jim Bodeen
26-29 June 2015
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