ALI

 













ALI

Three years older

Ali was the poem we

thought impossible


Jim Bodeen

6 Februaary 2026

LETTER TO PHILLIS WHEATLEY WRITTEN WHILE LOOKING AT HER PORTRAIT ON THE BLACK HERITAGE POSTAGE STAMP ISSUED 29 JANUARY 2026


 
















LETTER TO PHILLIS WHEATLEY WRITTEN

WHILE LOOKING AT HER PORTRAIT ON THE BLACK HERITAGE

POSTAGE STAMP ISSUED 29 JANUARY 2026


            ...blooming graces, triumph in my song.

            ...a faithful tongue…

            ...imagination is the empyreal palace of a trustin God

            ...Now here, Now there, the roving Fancy flies,

            till some lov’d object strikes her wand’ring eyes,

            Whose silken fetters all the senses bind,

            And soft captivity involves the mind.


            Imagination, who can sing thy force?


            …each noble path pursue… Phillis Wheatley


Jupiter Hammon’s letter addresses you

as elder, poet, peer, Christian, and slave,

both of you freed, and today we might add

immigrant—that, like everything between us


seems stretched. Hammon, born in 1711,

was 62 when your book,

Poems on Various Subjects

Religious and Moral, is published, 1773--


Phillis, you’re 20 years old. Both of you

wrote poems. You crossed at 31,

Hammon dies at 95. Starting with his letter,

he calls you pious youth in the first


stanza; and in the second one, he says

you might have been left behind.

You were 8 when you arrived

on the slave ship Phillis


receiving your new name.

Black writers, black women who insist

in living in ink, your fellow poet June Jordan

writes, have been writing about you

            Still, may the painter’s and the poet’s fire,

            to aid thy pencil and thy verse conspire?

            There in one view we grasp the mighty whole...

            ...twice six gates on radiant hinges ring

            celestial blooms in endless spring


            And may the muse inspire each future song!


            ...these shades of time are chased away…

            For nobler themes demand a nobler strain,

            And purer language…


for 250 years. You open 250 Years

of Struggle and Song, Kevin Young’s

Library of Congress monument to

African American Poetry, while


Jupiter Hammon’s letter to you

follows your poems. You, then and now,

are the Mother of African American

literature and I address you as such.


Hammon knows your poems

when he writes, ...adore

the wisdom of your God.

Adore, because you might


have been left behind. He believes

America is a good place to be,

making Christianity possible. In Stanza 4

he says it stronger: God’s tender mercy


            Inflame the heart, and captivate the mind…

            How he has wrestled with his God by night

            To shield your poet from the burning day:

            Calliope, awake the sacred lyre,

            While thy fair sisters fan the pleasing fire.

            And through the air their mingled music floats.        

            Spirits dart through flowing veins

            ...Fancy dresses to delight the Muse…

            ...frozen deeps may break iron bands...

brought you here, and it’s worth

all the gold in Spain. Hammon

is a bit overbearing—I’m an old man

at 80, and know that voice, he may be


jealous, too, he wrote sermons

all his life, he urges, Dear Phillis,

seek heaven’s joys. Neither of you

can see the mess we’re in now.


Michael Harper’s anthology’s here, too.

African American Poetry, 200 Years

of Vision, struggle, Power, Beauty and Triumph--

you and Jupiter Hammon, presented


at the beginning, and Harper gives us

your other visions: To the painter,

to the Morning, and Evening, and death,

on leaving for England.


You’re at the beginning of it all.

I’m looking at your stamp.

Black and white, ink on paper.

25 Million postage stamps of you.


I write as one who has been lifted,

if not saved, by black poets. I sit,

struck by your poems traveling

through time. There’s paper, and


Phillis, you’re holding a pencil,

where you’ve written,

Preface to my Second Volume.

Jupiter Hammon’s here too.


Following always, Jim


P. S. We’re here in the living room, together.

All of us. Here, in the all of it.


Jim Bodeen

29 January 2026



Phillis, we’re here in the living room, together.

All of us. We’re here, in the all of it.


Jim Bodeen

29 January 2026






ON THIS THIRD DAY OF FEBRUARY, 2026, JAMES BALDWIN, HIS STAMP AND OUR TIME

 



ON THIS THIRD DAY OF FEBRUARY, 2026,

JAMES BALDWIN, HIS STAMP AND OUR TIME


Opening the drawer on the coffee table

where commemorative stamps are kept—ones

I can use, that I hold out for me—not

the ones in sleeves archived for grandchildren,


looking for the James Baldwin 37-cent

commemorative I attach to post card

poems as gifts for friends, this Baldwin

stamp came out on 23 July 2004,


before Forever stamps debuted

in April 2007 (eliminating the need

to purchase stamps in small denominations

to mail a letter), the first Forever


being Liberty Bell, I’m re-reading Baldwin

during Black History month. Listen to him

on Martin Luther King, Jr. “...to state

it baldly, ‘I liked him. It is rare that one


likes a world-famous man—by the time

they become famous they rarely like themselves.’”

This drawer of loose stamps is a treasure

chest of Black history: Ernest Gaines,


August Wilson, Edmonia Lewis, Harriet Tubman,

Tousssaint, Gwen Ifill, Ella—Waters and Fitzgerald--

Arturo Schomburg—Oh, man! Baldwin

wrote this in 1961, “King cannot


be considered chauvinist, what he says

to Negroes he will say to whites, and what he says

to whites he will say to Negroes.” Baldwin

is five years older than King. Until King,


in Montgomery, Baldwin writes, the minister

could not change the lives of hearers: “All

they came to find, and all that he could give

was sustenance for another day’s journey.”


Baldwin again, bluntly, “...the white manuscript

on whom the American Negro modeled himself,

is vanishing. This white man was, himself,

a mythical creation of men who have never been


what they imagined themselves to be.” We’re

not done here, are we? The Baldwin stamp

matches a portrait of him, circa-1960

against a backdrop view of Harlem


where he grew up. So much story

in a square-inch stamp. One more Baldwin

gem: “Europeans refer to Americans

as children in the same way American Negroes


refer to Americans as children...so little experience...

no key to the experience of others.” To

become oneself. These stamps help me

in my studies. To stamps in these times, saving


for grandchildren Grandpa’s stand: February, 2026.

This 37-cent postage stamp, added to an envelope

requiring 71 cents postage, pure and extra,

political, with hand-cancellation, through the mail.


Jim Bodeen

3 February 2026