WALK BUT NEVER LEAVE HOME


https://www.youtube.com/watch?v=RsvMtS4MpdE

WALK BUT NEVER LEAVE HOME: THE MOVIE


 ANCESTRAL SILENCE


Long hike notebook stored

Seeking portraits in old stones

Turtle cave tunnel


Jim Bodeen

1 June 2024


 

SUMMER MOON SCULPTURE

 SUMMER MOON SCULPTURE


Walking stick branches

Antlers wound with copper wire

This metaphor mess


What looked good in last year’s dream

Warms hands in evening campfire


Jim Bodeen

28 May 2024

YOU WANT A NIGHT LIKE THIS


THE JOE BROOKS QUARTET IN THE BASEMENT

https://youtu.be/zbwX5ttG87U?si=_PVkCLTfs13Thj33





SUNDAY EVENING IN THE CHURCH BASEMENT



          --for the Joe Brooks Quartet


On the week they fly your wife over the mountains

for heart surgery and she’s back home in 72 hours

with a new Pacemaker, 

                              you’re gonna want a night like this.


Joe Brooks Quartet's playing in the church basement.

Taped on the basement window Upbeat Concert

is what we’re told. Psalm 104 in my head from worship

and Karen one week with her newly timed


heart. The guest pastor remembering Robin Island at 22.

She travels with the bishop now. The boat ride. 

Always a boat ride. Crossing water. Throwing

death overboard. Shaking her hand, saying,


Now we can add your names to others who stood

in this pulpit.. Alan Storey preached here.

South Africans open the heart of the world.

Shake the dust from your pant legs. Dust yourself off


and photograph the piano player when he comes 

to sit by Karen. It’s Bart Roderick.

This is jazz. You want a night like this.

On a clear day, you can see forever


and right now, everything’s clear. All the stars are out

and all the stars are guides. Sun rays shine 

on Maria’s face while she serves Communion 

and this is God’s justice. The Joe Brooks Quartet 


warms up in the basement. Joe Brooks, 

Bart Roderick, Austin Pledger, Don Kinney.

Times are different again. Joe Brooks in red-rimmed glasses.

Don Kinney’s the drummer, but the camera can’t reach him.


Stand-up listener, Austin Pledger on bass,

tuned into his elders. Those magnificent strings.

Bart knows all the kid songs from grade school.

Give him the green light and tell him to sing


Georgia. Georgia’s on a lot of our minds.

Count the votes as they were cast and not one more.

keep time with your toes, remember Ray Charles

at 16 in Seattle. Your toe is your ticket to freedom.


It’s date night and this is jazz.

This is Georgia. It’s Gershwin.

It is, Joe says, It is. It is Karen

back with a pacemaker. Only count 


the votes that have been cast. That’ll do us.

Capture the beat of Psalm 104.

That Pacemaker, Don Kinney, that Pacemaker.

It’s a drum stick. It’s atria, it’s ventricle.


It’s red blood on the back beat.

Who coverest thyself with a light as with a garment.

I reach out to Karen and put my arm around her.

I can touch her. Opening night 


and who can I turn to?

It’s date night. Here’s Karen breathing.

First night out back from hospital.

A pacemaker keeping time in our hearts.


The trees of the Lord are full of sap.

On a clear day song outshines every star--

summertime and the living is easy.

One of these mornings let me tell you about today.



Jim Bodeen

May 10-26, 2024










NOTES ON AN ENVELOPE AND 2Xs FROM HABITAT BUILD













NOTES ON AN ENVELOPE AND 2Xs

FROM THE HABITAT BUILD


    For Greg Rapp, whose Habitat shirt reads Captain on the back


I apologize right away we didn’t think

to have enough saw horses—today

you get to wear hard hats—watch

for hazards—a hose

is a hazard

Banana shaft all walls


Any journeymen here?


Top of walls, check ceiling first

and start in the top corner

2x10s out there use the ugly lumber

blocking—it’s just blocking everywhere


This wall needs blocking

twisted boards ok

save the good lumber—blocking’s

backnailing for the sheetrock I know I’m talking fast


Oh

we can put some rat runs here


This lot was a cherry orchard...they used arsenic…

we’ll bring in soil--


We’re gonna start with rat runs across this bay

Mark as you go it’s not consistent at all

Use these 1x4s What do we do now? I’ll show you

Grab three more of those--

Start out at 23 ¼ first one—24 on center after that--


Rat runs hold 2xs in place at 24 for sheetrock



Jim Bodeen

22 May 2024











HIDDEN IN PLAIN SIGHT

 











HIDDEN IN PLAIN SIGHT

Sheltered coded love

Written prayers inside studs

Work, habitat, house


Jim Bodeen

24 May 2024








NOON ON THE PORCH--THIS TIME

 

NOON ON THE PORCH--THIS TIME


Karen at the quilt show in a wheel chair.

She won’t have to rent, we won’t have to pack

one in the car. Provided by the Convention Center.

She had to leave them her driver’s license

while I drove.

The day our life changed?

Our life changes with every breath.

The fountain’s on, water’s running

through my ears—the geraniums

all in planters out front. More in the back

with other annuals—heliotrope

in the moonlight makes me think

of Our Town. Purple haze. More

in back with cotton candy. Jimi

and Prince. After

dropping Karen off at the show

I found two trivets—three feet--

risers to lift planters off porch,

that good old word lifts the kettle

right off the stove! These, however,

with four feet and a new name, hmmm.

Also a bag of thistle for the finches.

But where are they? The finches?

I’ve been looking at this notebook.

Haven’t been able to open.

The notebook sits on top of the poems.

Antonio Machado leaves the classroom

with Willis Barnstone and Alan Trueblood.

My own walk parted with Trueblood years ago,

Caminante. Walking. Más caminante que él--no--

Lonelier. Barnstone transcended early.

Mixed in with geraniums, four

sweet potato vines I picked up

at Master Gardener’s sale I attended

with my son-in-law. Heart-shaped leaves.

Two lime-colored, two burgundy.

No blossoms yet. Seven days from last Friday

we sold the truck that carries the Mothership.

Storypath/Cuentocamino in red. Black slash.

Romanian brothers. The older one

hands me 210 100-dollar bills on this porch.

Karen says, We’ll have to take these to the bank.

Los gitanos in Chile and Spain. Walking.

Long-walking. It’s cool on the porch.

Porch room. Like a Japanese tea room.

Elegant. Two hours after we get back

from the bank, Karen’s doctor calls.

I want you to go to the ER, get a CAT scan.

There could be a clot in your lungs.

It wasn’t a clot. Más luna que tierra.

Complete heart blockage. Nobody

in Yakima to do the surgery. We’ll get you

a plane and a medical team from Seattle

are on their way, we found a bed

at Good Samaritan in Puyallup.

More moon than landscape, Machado.

My car follows the crescent moon.

Mountains in the night sky.

Manantiel de nueva vida.

Pacemaker sounds like the drummer

in a jazz band. Electronics

of the heart. This quartet has ceased

all communication. Life on the road.

Caminante, son tus huellas

hace el camino. Nada más.

Twenty two years ago Machado

walks me through Spain, south

to Lorca’s Grenada. Doble cortado

in the same café. Driving at night.

Karen in the air with a dropping heart-rate,

these lime colored leaves, these blood-red vines.

Teresa de Avila and John of the Cross in ecstasy,

walking. Lorca’s Duende, dark sounds,

breath of liberation. Six pots on the porch,

flowers and leaves and compost

from the Autumn Blaze Maple and China Moon,

hand-tossed and aged nourishing tiny roots.

A fountain. Over and back rhythms.

48 hours. Karen listening with this steady beat.

Her quilts in a show. Quilts in the City.

Variation on a Summer Moon, Mariner’s Compass,

and Abstract Bee. Her work from the past year

when we didn’t know what we didn’t know.

Walking being that wheel chair today

because it’s easier that way. Water music

and words running down the page.

Sunshine and shade. Sol y sombra.


Jim Bodeen

10–20 May 2024

RECYCLING THE BLUES OF ABUNDANCE

 












RECYCLING THE BLUES OF ABUNDANCE


                  --85 songs for Marty


Don’t we dress ourselves

in song Don’t never

go out of style And don’t

we keep pushing

music back

while walking forward,


Don’t we refuse

fused as we are

every promotion

listening always

at what comes

from below,


Don’t we have

it all like it’s never

been had before

and will never be had

this way


           again

           ever

           and

           don’t


this make us rich

Don’t this

make us ageless

able to hear


what can’t be heard

herdless

without wires

able sounds

and timeless

vessels


Jim/15 May 2024


HOW SHE GOT UP

 

HOW SHE GOT UP


Well, I sewed last night

I’m talking about my dream

How to make that purse


How Karen entered Thursday

Quilt vision writes this haiku


Jim Bodeen

9 May 2024

MAKE YOURSELF A HOME MY LOVE

 

MAKE YOURSELF A HOME MY LOVE

            A rendering from John 15: 5-15

Brought up with belief

But living with the practice

Sweep Rake Prune Walk Bake


Intimate pruned organic

Put your life on the line friend


Jim Bodeen

3-4 May 2024

ALTERED ALTARS

 

ALTERED ALTARS


Polishing chrome wheels

Giving back to the Empire

Kinds of existence


Short lives of summer altars

Sparkling Angel Mothership


Jim Bodeen

1 May 2024