2PM MONDAY
Working in the
Notebook
from 2019 at Holden
Glenn Jordan’s
words
from that week in
August
Public theologian
Thunder now, thunder
then,
thunder earlier with
rain
Lightning out
bedroom window
and I bring in
cushions in my pajamas
Transcribing words
from a man who died
only proves that
that man
didn’t die, that
Irish father-husband
who celebrated his
30th anniversary with us
across the ocean in
the mountains
that lover of
Patrick Kavanagh
He’s so alive in
me but one must be
careful it’s a
different kind of existence,
I have not explained
him. The sky
overhead is blue,
there are rain
drops on the
notebook page.
Thunder comes from
the west.
Tonight Karen and I
are serving food
at Camp Hope, the
homeless shelter.
Sloppy Joes Karen
says, I’m cutting
the buns, you’re
filling them. This morning
while it rained I
came in from porch
and made a raspberry
pie,
bicycled listening
to Cowboy Junkies,
Look out Mama
there’s a white boat
coming up the river.
Studio album.
Robins on the white
fence are restless.
Spiders nipping my
ankles. Karen
at her sewing
machine, her quilt
RiverWalk, fills the
living room
floor, water, reeds,
everywhere.
At lunch we eat
left-over brisket
from Saturday. I cut
the raspberry pie,
crust gorgeous brown
egg-washed glisten
but it’s too sour
to eat. More rain drops.
Yesterday was the
Sixth Sunday after Pentecost.
Hope comes up three
times in a day.
Hope Street, a
television cop show from England,
in Zachariah from
yesterday’s scripture,
Return to your
stronghold O prisoners of hope,
and in the tent city
of the homeless
where we’ll serve
Sloppy Joes.
I discover again my
catalog—Esperanza
in Sandra Cisneros’
House on Mango Street,
a girl’s name in
Spanish, from esperar
where to hope is
also to wait. Afternoon
rain never comes and
I put down
my Parker Pen on the
Notebook
and pick up blowdown
twigs from birch trees,
carrying them out
front to yard bin
with my long
pruners, ringing the bell,
closing the gate,
noticing the Rose of Sharon
in full bloom.
Earlier I felled large branches
from Kwanzaa Cherry
and cut them now
small enough to fit
into bin, thinking
head on, hearing
Glenn’s voice
on the book of Ruth,
most radical book
in the Bible. Ruth
was a Moabite,
and she would always
be one,
and always in
danger, one of the others.
It would be easy for
me to fall in love with Ruth.
This broken walk of
wonder.
Complicit in the
frontiers of empire.
How would one write
about the Rose of Sharon?
Its blossom. Its
leaf. Five-petaled flower,
frilled, light
purple. And inside deep purple,
blood stained with
five ink-like splotches
exploding outward
from a fine brush,
disappearing
starbursts like Chinese fireworks
reaching the
outer-petal limits. Inside the petals
another star,
yellow, tiny green and stem-brained.
Holding the stigma,
the part of the pistil
where pollen
germinates. The ovary
is the enlarged
basal portion of the pistil
where ovules are
produced. Looking
into magnificence, I
hear April and Nino’s
Deep Purple singing
to me across six decades,
falling over
sleeping garden walls,
and the leaf itself,
what to say about the leaf.
The robins still
bantering their half-sing,
half-rancored
upsetness on the white fence.
One must think of
John Steinbeck, one must
visualize Rose of
Sharon as she arrests us
on the final pages
of Grapes of Wrath,
Ira de las uvas, and
all of the trumpeting
sounding us forth in
mid-July,
this music but
beautiful.
Jim Bodeen
10 July 2023